陆俨少山水画的取势探微-美术学专业论文.docxVIP

陆俨少山水画的取势探微 万方数据 万方数据 work on the classification schema, but also further dissection of its potential the tao. In the last chapter, by the case study and back to the realistic significance to take potential in the landscape painting creation practice, and emphasize the thought core is nature outside, in the heart of the source, and because the painting subjects because of its temporal displacement, but also gives potential the new form and connotation. Keywords：tendency landscape painting Lu Yanshao meteorology composition pen and ink schema emotion Thesis：theoretical research III 目录 1 绪论…………………………………………………………………………………………1 1.1 问题的提出?????????????????????????????1 1.2 选题研究的历史及现状????????????????????????1 1.3 选题研究的目的与意义????????????????????????2 1.4 选题研究的途径与方法????????????????????????3 2 对“势”在中国山水画史上的回顾………………………………………………………4 2.1 作为中国山水画美学范畴的“势” ??????????????????4 2.1.1“势”之源流——进入山水画领域之前的“势” ???????????4 2.1.2 山水画中“势”的属性??????????????????????5 2.2 历代山水画论中的“势” ??????????????????????5 2.2.1 论“势”的发展概况???????????????????????5 2.2.2“势”与“气” ?????????????????????????6 2.2.3“势”与“开合” ????????????????????????6 2.3 历代山水画中的“势” ???????????????????????7 2.4“势“对山水画的情感表达??????????????????????8 3 陆俨少山水画的取势 ……………………………………………………………………８ 3.1 陆俨少重“势”的动机????????????????????????8 3.1.1 习画经历????????????????????????????8 3.1.2 生活阅历????????????????????????????9 3.1.3 特殊的遭遇??????????????????????????11 3.2 以章法布势????????????????????????????12 3.2.1 对章法的概括?????????????????????????12 3.2.2 突出主题???????????????????????????14 （1）画面重点???????????????????????????14 （2）相避?????????????????????????????15 （3）具象与抽象??????????????????????????16 3.2.3 倾向性????????????????????????????17 （1）开合?????????????????????????????17 （2）往来顺逆???????????????????????????19 （3）相叠?????????????????????????????22 3.2.4 特殊的平正布势????????????????????????22 IV 3.3 以笔墨运势????????????????????????????23 3.3.1 作画过程???????????????????????????23 3.3.2“四绝” ????????????