论夏衍剧作的抒情性-文学专业论文.docxVIP

I I 摘 要 摘 要 夏衍是中国现代话剧史上一位很有个性的剧作家。拥有革命家和剧作家双重身份的 夏衍，他的作品呈现出一种与众不同的独特风貌。唐弢称夏衍的作品是“政治抒情诗”。 正如唐弢所说，夏衍的剧作呈现出一种别样的抒情色彩，他的剧作抒情内涵深刻，抒情 方式含蓄。 本文试图从三方面论述夏衍剧作的内在抒情性：首先，在戏剧人物的塑造上，夏衍 着重对人物心灵的刻画，挖掘人物内在情绪的细微波动，使剧作具有深沉的抒情韵味。 对人物的处理倾向于抒情化，人物身上带有某种象征意义，对小知识分子的纤细感情的 难以割舍，人物身上的时代性。还注重人物与环境的融合，用色彩、声音、环境的变化 来营造一种和人物心境相融合的意境，用意境来衬托、渲染人物的内心情绪，使抒情更 沉潜、悠远，形成诗一般的氛围。其次，在戏剧冲突的设置上，夏衍剧作往往淡化外部 的冲突，将冲突转化或集中到人物的内心，使剧作具有一种内在的张力。剧作冲突的结 束方式也往往是采用充满希望色彩的理想出路，给人们某种暗示和启发。再次，在戏剧 结构的安排上，夏衍剧作的结构有散文化的特点，时空结构比较松散，情节发展也比较 缓慢，但是内部的戏剧情调却是和谐统一的，他的剧作多数都充满感伤而平淡的戏剧情 调。 关键词 含蓄 平淡 人物塑造 冲突设置 结构安排 II II Abstract Abstract Xia Yan is a characteristic playwright of modern drama history of China. With the identity as both a playwright and a revolutionary, Xia Yans work have an unique style and feature. Tang Tao once said that Xia Yans work are political lyrics. Just as Tang Taos words, the work of Xia Yan have very special lyrical color, with very deep feeling expressing and implicit ways of describing. This paper is trying to discourse Xia Yans lyric character through three aspects. The very first, in shaping the drama characters, Xia Yan focuses on portraying peoples inner world, excavating peoples subtle mental change, which has made the work containing lyric charm. While in dealing with figures, he prefers to use lyric ways, letting the figures containing symbolic meaning, and it is hard to break him away from the intellectuals delicate feelings, because that shows the feature of the time. Whats more, he cares a lot about combining the figures with whole environment, using sound, color or the change of surroundings to create a matching artistic conception to serve as a foil to figures inner mind, and to formulating a deeper poetic atmosphere. Secondly, in setting the dramas conflict, Xia Yan often talks less about the outward conflicts, in stead he transfers the conflicts into the inward ones, which makes the work contains inherent tension. And the way of the conflicts settles always show people an ideal one, giving the