乡村题材在中国上世纪中叶与本世纪初的意辩.pdfVIP

Abstract Rural theme paintings in the 1960s and the beginning of the 21st century rural Paintings functional purpose of the comparative study Nobumura Paintings changes in the contemporary sense. Village Paintings Building New China before the Cultural Revolution, description of social life for most of the big topics rural impact of communism only mode of economic organization, the nature of the village has not changed, painting performance leaders examine rural life scenarios and reflect rural real life. Depicting the local culture, history and peoples living standards in rural areas, at the same time reflects the thinking of the time farmers. The main function of the Cultural Revolution, the former village theme painting as a media, posters, publicity the social mainstream thinking and policy agenda, to change our habits. Has a certain role. The purpose of painting is to reflect the sense of collectivism and socialist new countryside, reflecting production in rural life and rural New look However, with the passage of time, the beginning of the 21st century rural Paintings occurred a great change. China past planned economy to a market economy, along with the dominant western countries impact on the art of the Third World. Artists attitudes are beginning to diversify, personalized, richer aesthetic and performance practices of painting, symbolism, realism approach, Expressionism, new image series painting methods. The Village Paintings Art tendency is no longer so simple. On one side of the argument is adhering to a certain range of the traditional rural theme paintings. The other hand, a personalized creation Paintings village pursuit of novelty amount, and strong visual effects. Some painters longing and affection poured on traditional customs. The tendency of the change of the painting in the 21st century will inevitably lead to changes in the function of painting, the pai