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Traveling Around the World
in the Solemn and Stirring Mood
－A Discussion of Yu You-Ren’s Viewpoints on Time and Space in His Poems and Calligraphic Arts
Ko, Yao-Cheng
Abstract
When talking about the achievements of Yu You-Ren’s poems and calligraphic arts, none of the calligraphers can match with him. He is a major representative of
“the poet laureate” and is famous for his cursive style of calligraphy. During the early period of Taiwan, Yu You-Ren had possessed an outstanding status in the poetic and calligraphic world. However, when we study Yu You-Ren’s calligraphy, we only limit our exploration in his learning processes of calligraphy. Due to the lack of the systematic theory in his poems and calligraphic arts, plus Yu You-Ren regards calligraphy as a trivial matter in his daily life, we hardly find his true creation spirit through the original analysis of his poems and calligraphic arts. Consequently, I think that actually we can find Yu’s aesthetic viewpoints and his creation spirits through the analysis of his poems, which will help me understand more of Yu’s creative processes and spirits.
From the ancient time, poetry and calligraphy always come from the same origin and both of them are the ways that literal writers have been using to express their feelings and viewpoints. Therefore, their ways of aesthetic viewpoints must have a lot in common. The argument of “ Isomorphism” can be proved from the western theory called Gestalt, which refers that although the appearances of the two pieces of art are different, there exist the same inner feelings in both of them. Therefore, from the analysis of Yu You-Ren’s views on time and space in his poetry, we can discover his characteristics of aesthetic viewpoints and creative spirits. Based on this discovery, we can inspect the beauty of his calligraphy and inquire more about his creative spirits.
Key words: Yu You-Fen, creative spirit, aesthetic viewpoint on space and time, the
beauty of c
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