18世纪的英国服装设计.pptVIP

A Revelation in Fashion, 1700-1800 Early to Mid Eighteenth Century Late Eighteenth Century The Beginning of the NineteenthCentury * Figure 1, a. Corset: English, c. 1775. Pannier: English, c. 1760. Part of the Revolution in Fashion exhibition at the Kyoto Costume Institute in the Spring of 1989. (Revolution in Fashion: European Clothing, 1715-1815, pp. 47, 49, 141..) Figure 1, b, c. Near Left Corset: Unknown origin, c. 1760. Note: This is a corset that was meant to be worn as an outer garment, as opposed to Figure 1, a., which was worn under. Far Right, Bottom Childs Corset: American, mid-eightneenth century. Note: Though it is a childs corset, it isfully boned. Part of the Revolution in Fashion exhibition at the Kyoto Costume Institute in the Spring of 1989. (Revolution in Fashion: European Clothing, 1715-1815, pp. 47, 49, 141..) Figure 2, a. Sack Back Gown or “robe a la Francaise”: English, c.1760-1770 Note: Gown taken from the collection of antique costumes at Colonial Williamsburg. Featured in Eighteenth-Century Clothing at Williamsburg, p 22. Figure 3. “robe a l’Anglaise”: English, C. 1760-1770. Note: Gown taken from the collection of antique costumes at Colonial Williamsburg. Featured in Eighteenth-Century Clothing at Williamsburg, p 23. Figure 4 “robe a l’anglaise”: English, c.1756, remolded from an earlier gown. Note: Gown taken from the collection of antique costumes at Colonial Williamsburg. (Featured in Costume Close-Up: Clothing Construction and Pattern, 1750-1790, p 11.) Figure 3. Image scanned from A Lady of Fashion: Barbra Johnson’s Alblum of Styles and Fabrics, 22. Figure 5-a. Attributed to Marie-Louise-Elizabeth (1755-1842). The subject is Marie Antoinette, who is pictured wearing her chemise a la reine. The painting now hangs in the National Gallery of Art, Washington, D.C. (The Kyoto Costume Institute, Revolution in