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1.外文资料
The Tai 1 Office Building Artistically
Considcrcd
by Louis H. Sullivan, March, 1896
The architects of this land and generation are now brought
face to face with somcthing new undor the sun namcly, thate
volution and integration of social conditions, that special g
rouping f tall
of them, that results in a
demand
for
the erectiono
office
buildings.
It is
not
my
purpose to
discuss
the
social conditions; I a
ccept
them
as
the fact,
and
say
at
once
that
the design o
f the tall office building must be recognized and confronted at the outset as a problem to be solved a vital problem,
pressing for a true solution.
Let us state the conditions in the plainest manner. Briefly,
they are these: offices are necessary for the transaction ob
usiness; the invention and perfection of the high speed elev ators make vertical travel, that was once tedious and painfu
1, now easy and comfortable; development of steel manufacture has shown the way to safe, rigid, economical constructions r
ising to a great height; continued growth of population in the great cities, consequent congestion of centers and rise
in value of ground, stimulate em increase in number of stor ies; these successfully piled one upon another, react on gro
und values and so on, by action and reaction, interaction a
nd inter reaction. Thus has come about that form of lofty construction cal 1 ed the modern office building〃. Tt has come
in answer to a call, for in it a new grouping of social conditions has found a habitation and a name.
Up to this point all in evidenee is materialistic, an exhib i tion of force, of resolution, of brains in the keen senseo f the word. It is the joint product of the speculator, the ngineer, the builder. Problem: How shall we impart to this sterile pile, this crude, harsh, brutal agglomeration, this s tark, staring exclamation of eter rml strife, the graciousnesso f these higher forms of sensibility and culture that rest o
n the lower and fiercer passions? How shall we proclaim fro
m
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