《牡丹亭》与《仲夏夜之梦》中“梦境”的对比研究.docVIP

A Comparative Study of The Dreams in The Peony Pavilion And A Midsummer Night’s Dream 哈尔滨师范大学 王梦莹 《牡丹亭》与《仲夏夜之梦》中“梦境”的对比研究 PAGE i PAGE i Abstract This paper will carry a comparative study on common points of two classical romantic dramas between 16th and 17th centuries——The Peony Pavilion and The Midsummer Night’s Dream. Tang Xianzu(1550-1616) ,the author of the Peony Pavilion and William Shakespeare（1564－1616）, the author of A Midsummer Night’s Dream lived in the same historical period. Both of them were regarded as the most outstanding and influential drama creators in the literature history of their countries. The Midsummer Night’s Dream was one of reprehensive works of Shakespeare, which has been adapted into movies, stories, games, and paintings. Similarly, The Peony Pavilion was also the most important works of Tang, which consolidated his significance not only in The literary circle of Ming dynasty but also in the Chinese ancient history. The last part is the conclusion. After a series of analysis, this paper draws these conclusions: the depression of love and sex is the logical resource of two dreams. The process of dreams is also the confliction between secular ethics and individual consciousness. The satisfactory results of the two works are the reflection of ideological emancipation. Key words: comparative study the Peony Pavilion A Midsummer Night’s Dream dreams PAGE ii PAGE ii 摘 要 本文将对十六,十七世纪东西方两部重要的戏剧巨著进行对比分析——《牡丹亭》和《仲夏夜之梦》，并总结分析出两部作品中“梦”这一意象的相同点。《牡丹亭》的作者汤显祖(1550-1616)和《仲夏夜之梦》的作者莎士比亚（1564－1616）生活在中西方相同的历史时期，却处在不同的社会背景下。两位作者在本国都被视为戏剧发展史上最杰出，最具影响力的剧作家。《仲夏夜之梦》是莎士比亚的代表作之一，自问世以来，被多次改编为电影，故事，游戏，绘画等。同样，《牡丹亭》也是汤显祖一生中最重要的作品之一，不仅奠定了他在明代剧作家中杰出的地位，更使他在中国文学发展史上写下了浓墨重彩的一笔。 第五章为结论部分。经过一系列分析后，本文得出如下结论：主人公在现实生活遭受的中性与爱情的压抑是两“梦”的心理起源；两梦的发展过程也是人性与自我意识同封建伦理道德抗争的过程。而两梦的圆满结局，体现了人们思想解放运动的成功。 关键词：对比研究 梦 《牡丹亭》 《仲夏夜之梦》 PAGE