唐诗风骨源于国风和汉魏风骨.docVIP

?唐诗风骨源于国风和汉魏风骨 ,它继承了现实主义文学的优良传统 ,横扫了齐梁颓靡文风。但也借鉴了其中缘情体物 ,精工流丽的艺术风格 ,博采前代文学精华 ,融合儒、道、释、侠于一体 ,经过唐初一百余年的诗歌创作实践和理论探索 ,臻于完备。唐诗风骨滥觞于初唐四杰、陈子昂 ,蔚然成风于盛唐 ,流变于中唐 ,衰微于晚唐。“风”即思想内容 ,骨即辞采和表现形式。唐诗风骨即坚实的思想内容和刚健明丽的表现形式的完美统一。唐诗的风骨主要表现为盛唐诗人积极用世的进取精神 ,居安思危 ,关心国运兴衰、民生疾苦的忧患意识和摹写山川壮丽、田园牧歌、风俗人情的美学理想 The style of Tang poetry stemmed from Guofeng as well as the style of the Han and Wei Dynasty. It inherited the fine tradition of realism literature, threw away the dispirited style of writing of the Qi and Liang Dynasty, but used the experience of lyric and descript ion, along with the exquisite artistic style for reference, learned widely the cream of literature from the predecessors with integrating the ideas of the Confucianists, Taoists, Sakyamuni and Chivalrous, and gradually became perfect after more than one hundred years practice and theory exploration. The style of Tang poetry originated from the four outstanding poets in the early Tang Dynasty and Chen Z-i ang, came into vogue during the flourishing period of Tang, became divided in the mid-Tang Dynasty, and declined in the late Tang. The vigor of style of Tang poetry is the perfect unity of solid contents and vigorous and sprightly forms. It expressed the poets active spirit of progress and the worried consciousness for the fate of the nation in the flourishing Tang, described the beauty of the mountains and rivers, countryside and pastoral song, as well as the folk customs and amorous feelings. 女冠的繁荣是唐代出现的一种特别的社会现象。唐代女冠不仅数量可观, 而且十分活跃地参与当时的社会生活, 尤其是与当时的文人群体交往十分密切。唐代女冠的大量出现与当时开放包容的社会风气和女性社会地位的提高有密不可分的关系。她们的出现不仅丰富了唐代的社会画卷, 而且也为唐代文人的创作提供了可贵素材, 是唐代诗歌发展的一种重要推动力。 T he emergence of a large number of Taoist nuns is a kind of particular social phenomenon in Tang Dynasty .Taoist nuns in Tang Dynasty is not only numerous but also active to take part in the social life of the time, especially t o keep the closely contact s with the group of scholar . The phenomenon reflected the open ethos and the improvement of females social position of the day