论霍夫梅斯特《第一协奏曲》演奏技巧及音乐表现.pdf

摘 要 低音提琴作为西方弦乐家族中体积 最大的弦乐器，通常以乐队 的形式出现在观众的视野中，因此为低音提琴创作的音乐作品数目较 少 。 但 德 国 作 曲 家 法 郎 兹 . 霍 夫 梅 斯 特 (Franz Hoffmeister)(1754--1812)为低音提琴所作的《第一协奏曲》可作为 低音提琴的一部代表作出现在演奏家和听众的视野中，所以本文研究 的 《第一协奏曲》，具有较高的研究价值。 此文笔者先通过对作曲家出生及创作此作品时代背景进行分析， 使读者初步了解此作品，再结合谱例，对三个乐章的独到处进行演奏 法的分析和音乐情感的分析。愿通过笔者的分析，为今后的读者更加 充分的理解这首音乐作品提供帮助。 关键词：法郞兹.霍夫梅斯特 第一协奏曲 低音提琴 Ⅰ Abstract The double bass is the largest stringed instrumennt in the western string family,the bass usually appears in the audience’s field of vision in the form of band,therefore the number of music works created for double bass is relatively small.However ,German composer Frances Hofmeister’s Concerto NO.1 foe the doublebass can be seen as arepresentative ofthe doublebass in the field ofvision of performers and listeners,so Concerto NO.1studied in this paper has high research value. In this article ,the author first makes an analysis of the composer’s birth and the background of the time when he created the work,so that readers can have a preliminary understanding of the work ,and then combines with the examples of music composition,which isthe unique feature of the three movements to analyze the playing method and music emotion.Through the author’s analysis ,I am willing to providehelp for futurereaderstofullyunderstand musicwork. Keywords:FranzHoffmeister ConcertoNO.1 Doublebass Ⅱ 目 录 中文摘要 ··························································Ⅰ Abstract··························································Ⅱ 目 录 ···························································Ⅲ 绪 论 ···························································1 一霍夫梅斯特 《第一协奏曲》创作背景································2 （一）霍夫梅斯特生平简介 ··········································2 （二） 《第一协奏曲》创作背景······································2 二