卢卡奇模仿理论研究.pdf

摘要 本文旨在对卢卡奇的模仿理论加以初步梳理，使之具有更清晰的可见性，并 在此过程中，进行重新的阐释。作为马克思主义模仿理论的集大成者，卢卡奇不 同于以往的模仿理论，他不仅把模仿建立在辩证唯物主义的反映论基础上，同时 还扩大了模仿的范围，使模仿理论植根于人类社会历史中。“模仿”概念不仅构 成了卢卡奇的后期美学思想核心内容，更是构成了理解其前期思想如何发展到后 期理论的一把钥匙，构成了贯穿其整体美学思想的逻辑演进的一个重要线索。与 诸多流行看法认为卢卡奇晚年标举模仿论是理论倒退不同，本文把这一重要话语 实践理解为一种 “游击战”策略。 本文分为三章。第一章试图在卢卡奇的美学理论发展史中把握其模仿理论， 指出 《历史与阶级意识》中提出的物化和总体性问题，卢卡奇在 《审美特性》中 通过模仿亦即艺术，提供了一种解决方案。第二章则通过对卢卡奇模仿理论五种 维度的描摹，力求较为系统地勾画其主要理论特征。此部分内容为本文重点。第 三章主要通过论述卢卡奇模仿理论在中国语境中引发的学术效应，在理解它对于 中国美学建设的当代价值的同时，也谋求提供一种将它加以客观化的可能路径。 关键词：模仿 反映论 物化 总体性 现实主义 ABSTRACT Thepurpose ofthispaper isto sort out Lukácsmimesistheory and make it more visible.As a master of marxist mimesis theory, Lukács is different from previous theories of mimesis.He not only built mimesis on the basis of dialectical materialism theory of reflection,but also expanded the scope of mimesis,making mimesis theory rooted in the history of human society.The concept of mimesis not only constitutes the core content of Lukács’ later aesthetic thought, but also constitutes a key to understand how his earlier thought developed into the later theory, and constitutes an important clue tothe logical evolution ofhis overall aesthetic thought.In contrast with many popular views that Lukács’theory of symbolic mimesis in his later years is a theoretical regression, this paper interprets this important discourse practice as a strategy of guerrillawarfare. This paper is divided into three chapters.The first chapter tries to grasp Lukács’ mimesis theory in the development history,and points out the reification and totality problems raised in History and Class Consciousness.Lukács offers a solution in aesthetic properties through The Peculiarity of Aesthetics.The second chapter tries to sketch the main theoretical characteristics of Lukács by describing the five dimensions of his mimesis theory.This part is the focus of this article.The third cha