英文学院研究生学期课程论文.docVIP

英文学院研究生学期课程论文 页边距上、下、左、右均为2.54厘米，全文使用2倍行距 页边距上、下、左、右均为2.54厘米，全文使用2倍行距 课程名称 使用宋体四号填写 使用宋体四号填写 学 期 格式：2010-2011学年第1学期 格式：2010-2011学年第1学期 学号 姓名 专 业 研究方向 使用宋体四号填写学生类别 学生类别：硕士生、进修生、学位班、高校教师班四个类别 使用宋体四号填写 学生类别：硕士生、进修生、学位班、高校教师班四个类别 任课教师 成 绩 由任课教师填写 由任课教师填写 英文学院研究生学期课程论文 David Hwang’s Deconstruction of Orientalism in M. Butterfly and the Inadequacy of His DeconstructionTimes New Roman三号、居中、加粗，标题中的 Times New Roman三号、居中、加粗，标题中的第一个单词和实词首字母均需大写 by Luna Filipovic School of Xian International Studies 作者署名、单位及时间信息，居中，Times New Roman，小四，by与名字间空一行，单位与时间信息中间空三行，时间信息应位于页面底部 Xi’an 2010  David Hwang’s Deconstruction of Orientalism in M. Butterfly and the Inadequacy of His Deconstruction居中、Times New Roman三号、加粗 居中、Times New Roman三号、加粗 ABSTRACT居中、Times New Roman小三号、加粗 居中、Times New Roman小三号、加粗 In M. Butterfly, Hwang deconstructs Orientalism in terms of interpersonal relations. He reverses the roles of the self-centered white man and the submissive Oriental woman. As Hwang puts it, Gallimard, the French diplomat, establishes his relations with Song, a Peking Opera singer, on the Butterfly fantasy and believes that he is entitled to have this Butterfly’s love. However, it turns out that Song is not Gallimard’s Butterfly. “She” is a man who makes use of their relations to gather secret information for the Chinese government, while Gallimard, the white man, is the real Butterfly who is controlled and dominated. In this way, Hwang demonstrates that the stereotype of the submissive Oriental woman is unreal and that it is merely a white male fantasy. 两端对齐、Times New Roman小四号、 两端对齐、Times New Roman小四号、2倍行距 Key Words： Orientalism；M. Butterfly；Madame Butterfly； inadequacy；deconstruction （其中 “Key Words”采用 （其中 “Key Words”采用Times Ne