残叶枯茎袅余香硕士学位论文.docxVIP

学海无涯苦作舟! 学海无涯苦作舟! ◎谢鮎忍# 硕士学位论文 残叶枯茎袅余香 ——我的创作报告 学 科 专 业 \ 学 位 类 型 口 \ 研究生姓名 \ 导师姓名、职称 论文编号 摘要 枯荷与芭蕉自古就是许多画家的表现题材， 文人画兴起后更成为 画家们表现孤独、孤傲、自信、郁闷、至死不渝精神的载体。如明代 的陈洪绶，清代的八大山人、石涛及当代的蒋采萍等画家。纵观这些 画家们的作品，不是以勾线染色的工笔形式来表情达意， 就是用水墨 淋漓的写意方式来抒发情感。用什么样的表现方式将物象的形态与情 态和画者要赋予它的精神内涵有机的结合起来， 这将是我要在创作中 探索的问题。我之所以选择枯荷与芭蕉作为毕业创作的题材， 是因为 它们不仅能体现我的审美情怀，而且是研究将皴、擦技法融入工笔花 鸟画创作中很好的载体。本文以创作为依托，从缘起、艺术构思、表 现技法释义及创作体会这四个部分来说明作者运用皴、 擦技法在工笔 花鸟画创作当中的探索。 关键词：皴擦技法、残叶枯茎、余香、创作体会 Abstract Dead load and the banana is the an cie nt many pain ters of the theme, literati painting has become more Ionely, Ionely expression vector of pain ters, self-c on fide nee, depressed, will n ever cha nge un til death spirit. Such as the Ming Dynasty, Chen Hongshou, the Qing Dynasty Badasha nren, Shi Tao and con temporary pain ters and so on Jia ng Caip ing. Most of these painters work, not staining to hook line fine brushwork form of expression, is the use of ink and wash painting to express feelings. The images of the configuration and modality and the painting to give the spiritual conno tati on of orga nic comb in ati on with what ki nd of performanee, this is I want to explore the questions in the creation. The reas on why I choose dry charge and banana as his graduatio n creati on theme, becausethey not only embodies the aesthetic feelings, but also study will be cracked, rub a good carrier technique in the creation of the Chinese painting. Taking the creation as the basis, from the origin, concept art, performanee techniques of interpretation and creation experience of these four parts to illustrate the author explores using cracked, rub and tech niq ues in the creatio n of the Chin ese painting. Keywords: Experience of painting techniques, Leaf dry stems, Fragra nce, Creati on ii 目录 TOC \o 1-5 \h \z 中文摘要 U.. 英文摘要 U.. 弓丨言 1… \o Current Document 1缘起 2.. \o Current Document 2艺术构思 4.. \o Current Document 2.1、 残叶枯茎 4. \o Current Document 2.2、 不似似之 5. \o Current Document 2.3、 余香 7.. \o Current Document 3表现技法