唐代教坊女乐研究.pdfVIP

摘 要 摘 要 女乐是中国古代专业的歌舞艺人，始自夏初，队伍庞大，秦汉时宫廷中已有数万人 之众，她们是古代乐妓的主要成员，在中国古代音乐发展史上作用重大。唐代女乐技艺 达到高峰，她们所做出的贡献，是中国音乐史上不可或缺的重要文化组成部分。 唐代诸多宫廷音乐机构中，教坊尤为重要，它管理、教习俗乐乐人并贯穿着整个唐 代。教坊女乐为教坊的主要构成人员，具有代表性，她们身份卑贱，自幼习乐，既是音 乐表演的载体，又是音乐的传播者，创造的多种新的艺术形式，为后世所传承。由此， 唐代音乐作品、教坊、女乐三者形成了一种相互影响又相互促进的关系。了解唐代教坊 女乐的历史发展脉络，不仅对梳理唐代音乐史起着至关重要的作用，而且对研究整个中 国古代音乐史而言也是重要的环节之一。 本文共分为三章对唐代教坊女乐进行研究。第一章主要概述了教坊的设置、发展及 其制度管理，通过对女乐的释义，了解女乐在唐代的组织、传播及影响。第二章阐述唐 代教坊女乐的音乐生活，从构成、管理、音乐教育及演出四个方面入手，力图整体、全 面的探究唐代教坊女乐制度的发展和演变。第三章从人类学、社会学的角度出发，对女 乐的身份地位、情感命运和社会作用作深度剖析，探索女乐在唐代的音乐贡献及文化价 值。 关键词：唐代教坊，女乐，音乐生活，地位与命运，社会作用 I Abstract Abstract Female musicians as a professional singer and dancer in ancient china, who appeared since the beginning of the Xia Dynasty, formed a huge team and developed a massive palace performances of tens of thousands of people in the Qin and Han Dynasties. They were the main members of the ancient music prostitutes, and played an important role in the development of Chinese ancient music. The artistry of female musicians reached its peak in the Tang Dynasty, their contribution was important and indispensable part of culture in the history of Chinese musical history. In many institutions in the palace of Tang Dynasty, Jiaofang is a particularly important one, which managed and educated thousands of minstrels throughout the entire Tang Dynasty. Jiaofang female musicians are the main member of Jiaofang, which is very representative, who learned music in childhood and their status is humble, it is not only the carrier of music performance, but also disseminators and creators of music. They created