岭南舞蹈创编中陌生化手法的运用.docVIP

岭南舞蹈创编中陌生化手法的运用 目录 TOC \o 1-9 \h \z \u 目录 1 正文 1 文1：岭南舞蹈创编中陌生化手法的运用 2 一、选材视角陌生化:“为意而奇” 4 (一)选材陌生化的存在两种不同的形式 4 (二)选材“为意而奇”的艺术效果 5 二、熟知动作陌生化:以“新”为奇 6 (一)主题动作:取消“前在性” 6 (二)舞蹈语汇:消解与融合 7 (三)隐喻:延伸联想空间 8 三、情节结构陌生化:以“怪”为奇 8 (一)情节结构跳转之“谜” 8 (二)结构时空交错之“隐” 9 四、道具运用陌生化:以“妙”为奇 10 (一)手执式道具的陌生化妙用 10 (二)背景式道具的陌生化妙用 11 文2：格列佛游记中陌生化手法的运用策略分析 11 一、“陌生化”理论 12 二、《格列佛游记》的陌生化技巧 12 1.人物形象的创造 13 2.叙述视角的转换 13 3.语言的描写 14 4.修辞手法的运用 14 三、结论 15 参考文摘引言： 15 原创性声明（模板） 16 文章致谢（模板） 16 正文 岭南舞蹈创编中陌生化手法的运用 文1：岭南舞蹈创编中陌生化手法的运用 The Application of Artistic Expression of “Strangeness” in the Lingnan-Themed Choreography ZHENG Meng General Education Center，Guangdong Univeity of Technology Abstract：The essence of aesthetic“strangeness”in choreography lies in getting rid of the habitual restriction of thinking，opening up the aesthetic distance and creating the aesthetic effect of “amazement”. The main mea are: the selection of dance is “for the purpose of surprise”，that is，selecting the themewhich is credible and can cause amazement，as well as activating the excitement of audience; the movement language is “new”and surprising，that is，to dissolve the stylization，break throughpre-existing visionof expectatio with multi-dimeio and multi-methods; the plot is“eccentric”，that is，to break through the conventional pepectives of the object，avoid non-surprising narration; the application of props is “clever”，that is，to create mysteriousness，assisting in the amazing expression of movement language. In recent yea，Lingnan-themed dance creation has produced a large number of excellent works. The poetic theory of “strangeness ”is employed as a research method to explore the artistic cociousness and “cultural imagination” in contemporary dance creation. The “strangeness ” of contemporary dance creation has certain aesthetic value in highlighting the regional and stylish characteristics of Chinese dance art。 “岭南舞蹈”常以“区域舞蹈”的身份亮相，其热度就一直攀升不减。关于其概念的界定、区域