试析当代中国人物画中色彩多元化现象及成因.pdfVIP

试析当代中国人物画中色彩多元化现象及成因 中文摘要 本文就色彩在当代中国人物画中运用的多样化表现和成因展开讨论。当代 人物画的色彩多样化表现在对中国绘画传统的继承和对西方绘画的借鉴等方 面。由于传统绘画的颜料和技法有着其独立而完整的系统，因而对当代的中国 人物画一直有着深远的影响。西方绘画从清中期开始传入我国直至当代，画家 们对西方绘画的造型方法和色彩学原理借鉴，使得当代中国人物画的面貌有了 较大的改变，颜料种类的拓展、画面的表现形式、人物形象的塑造以及表现技 法等各个方面的探索，为中国人物画的发展提供了更多的可能性。同时，在这 个借鉴的过程中，对中国画技法的边缘性探索，也产生了一系列新的绘画风格， 形成了许多当代艺术家独特的个人风格。加之当代人所处的时代社会环境、知 识结构的转变等特点，自然地引起了审美主体的审美偏好和审美习惯呈现出多 样化的特点。展览机制、市场机制等规则也引导了绘画色彩的求新心理和个性 化表现。民间绘画的精华也在文化潮流追求返朴归真的过程中被挖掘出来，展 现出其特殊的魅力。多元化的人文环境造就了绘画多元化的色彩表现，本文将 从多个方面和角度分析当代中国人物画的色彩现象，开拓人物画创作的思维。 iii 试析当代中国人物画中色彩多元化现象及成因 外文摘要 This article talks about the various expressions in contemporary Chinese ink painting of figures. The variety of color in contemporary ink painting of figures displays in the inheritance of traditional Chinese painting and the learning of western painting. The traditional Chinese painting has an independent and complete system in terms of its paint and techniques, therefore, it has been influencing profoundly the contemporary Chinese ink painting of figures. Since western painting was propagated into China in the middle of Tsing dynasty, the learning of the theories of formation and color of western painting brought up more possibilities for Chinese ink painting of figures. In the meantime, in this learning process the marginal exploration on the techniques of Chinese painting produced a series of new styles of art, which, for some contemporary artists, became their unique style. Moreover, the contemporary social environment and the change of the structure of knowledge caused the aesthetic preference and the variation of aesthetic habits.