“野”与“性”：生命的自由与奔泻 ——论莫言笔下女性艺术形象.pdfVIP

I Abstract While studying in Contemporary Literature, Mo Yan is a writer who cant be ignored. In his nearly 20 years writing, each stage was given intensity attentions and a lot of comments. But in the world of Mo Yan ’ novels, there are a group of individuality female who have been neglected together by the contemporary critics. This article will mainly take two angles “unruly” and “sex” to analyze those women. In chapter one, the thesis begin with angle “unruly”, analyze the freedom and the resistance in feminine life. There are three kinds: The first kind are those who like “my grandmother” Dai Fenglian in Red Sorghum, adventurous, dare to love dare to hate, nature, bold and unrestrained, never envy others heaven , never afraid of others hell, They are the adherent of the free world ; The second kind are those who’s life starts with dutifully, but some bad fortune happen accidentally, life-force begin to erupt thoroughly; The last kind are those who’ life are restricted, incapable to get away, they have to make their body and spirit dissimilated as a silent way of resistance , search their positions in the inhuman world. In chapter two, the thesis begin with angle “sex”, analyze the nature appetency in feminine life and Mo Yan adoring consciousness of procreation. The feminine nature appetency present four situations: Daring to pursue love, express the human nature desire; when their appetency are constrained they have an affair; Lose themselves in the material world, degenerate into slave and victim of appetency ; Man imagination of feminine. In many novels, MoYan express the same esthetic standard about feminine: “plump breast”, “fat buttocks”. In Abundant Breast Fat Butto