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摘 要
圣埃克苏佩里是20 世纪上半叶法国著名的飞行员作家,有
“蓝天白云的耕耘者”之称。他一生做的两件事,就是飞行和
写作,并且把两者紧密的结合了起来。
国内对圣埃克苏佩里及其作品的译介始于20 世纪40 年代,
迄今为止其主要作品已翻译过来。但从20 世纪50 年代至今,
国内有关他的研究论文仅十几篇,主要是对单部作品、特别是
《小王子》的评析,且大多数文章随笔赏析成分居多,至今尚
未有人对他的作品进行系统的研究。本文以文本分析为主,主
要运用文体学、叙述学、文艺心理学、影响研究和平行研究、
新批评的文本细读等方法研究圣埃克苏佩里的创作风格。全文
主体分三章,第一章从新颖的题材、缤纷的意象、抒情的笔调
和陌生化的语言等四个层面来探讨圣埃克苏佩里创作风格的内
涵。第二章结合时代背景、成长历程以及个性气质等因素分析
其创作风格的成因。最后一章将圣埃克苏佩里与同时代飞行员
作家马尔罗、凯塞尔进行比较,凸显其创作风格的独特性。本
课题是国内对圣埃克苏佩里进行系统研究的初步尝试。
关键词:圣埃克苏佩里 创作风格 风格内涵
风格成因 飞行员作家 比 较
Abstract
Saint Exupery is a prominent French pilot writer with a unique
style in the first half of the twentieth century. Because he closely
combines flight with writing, the two things which he only does in
all his life, he wins the title of “Cultivator of the blue sky and white
clouds”.
It is over 60 years since Saint Exupery’s novel was first
introduced to China in the 1940’s. Up to now ,his main works have
been translated into Chinese. But there are only a dozen papers on
his writings in China’s mainland since 1950’s. Among them, most
researchers comment upon a certain novel, especially on The Little
Prince . That’s to say, no one has systematically made a study of
Saint Exupery’s writings in the mainland of China so far. This
thesis pays more attention to analyzing his works, and makes an
effort to study Saint Exupery’s creative style by employing the
following methods, such as stylistics, narratology, art and literature
psychology, new criticism, etc. The main body of this thesis
consists of three chapters. Chapter Ⅰ probes into the connotation
of Saint Exupery’s creative style—the original theme, the diverse
images, the lyric tone and the defamiliar language. Chapte
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