涌现和隐失关于艺术中“身体”问题的探究.pdfVIP

中国美术学院油画系王瑜雯涌现与隐失一关于艺术中“身体”问题的探究 目录 摘要·······························································2 引言·······························································4 一、身体的概念·····················································5 1．1什么是“身体”··················································5 I．2艺术中的“身体················································5 二、涌现的身体·····················································7 2．1可见的实体与缺席的身体·········································7 2．2完美的世界——希腊雕塑·········································8 2．3·真实的瞬间——德加的“浴女”题材绘画·························10 三、隐失的身体····················································13 3．1消失的对象与迷失的身体········································13 3．2多面的人体——毕加索的《亚威农少女》···························14 3．3不可控的画笔——伊夫·克莱因的单色画··························15 3．4仪式感的躯体——玛丽娜·阿布拉莫维奇的行为艺术················17 四、转向与重置····················································19 4．1有距离的人与回到原点··········································21 4．2身体的感知体验到自我世界的呈现································22 五、结语··························································24 参考文献··························································26 致谢······························································27 中国美术学院油画系王瑜雯涌现与隐失一关于艺术中“身体”问题的探究 摘要 本文通过“身体”的涌现、隐失、转向与重置三个方面，分述它们在绘画 发展历史中不同的侧重和呈现方式。 正文分四个部分：身体的概念、涌现的身体、隐失的身体、转向与重置。 第一部分指出“身体”的概念和艺术中的“身体”不同层面的呈现。 第二部分选取希腊雕塑和德加的“浴女”系列绘画，从而阐述这两部分艺 术作品中，通过塑造完美的对象和瞬间的真实，从而指出对象的涌现和身体的 缺席。 第三部分选取毕加索的《亚威农少女》、伊夫·克莱因的单色画、玛丽 娜·阿布拉莫维奇的行为艺术，分别阐述“对象”的变化，从多面的人体、不 可控的画笔至仪式感的行为，讨论“身体”在三者艺术作品中的不同功能及意 义。从而讨论三者作品中，逐渐消失的对象与身体的迷失·。 第四部分讨论贾科梅蒂的艺术，通过阐述其艺术的探索，分析其作品，论 述“身体”的转向与重置，即回到事物本身，从而通过身体的感知体验到自我 世界的呈现。 绘画离不开“身体”，艺术中的“身体”的研究就变得格外重要。并且，应 区别认识作为艺术家自身本体的“身体”(触觉、视觉和感觉)；作为艺术家描 绘对象客体的“身体(对象)；还有隐秘在作品背后的“身体”一感知体验到 自我世界的呈现，这三部分之间的差异。 本文通过对西方艺术中的“身体”进行比较、分析和论述，提出了“身 体’’作为被描绘对象经历从涌现到隐失和“身体”作为艺术家本身