《印象·刘三姐》的审美历史逻辑和文化语境分析.docVIP

《印象  摘  要  大型山水实景演出《印象 一种新的文化现象，已经引起人们越来越多的关注。本研究从审美历史 逻辑和文化语境两方面入手来探讨《印象 和文化现象所具有的美学意义和文化价值。本文通过对《印象 的创作原则，艺术成就等的介绍，引出人们对这一艺术现象的矛盾性评 价。由此矛盾点出发进一步展开对《印象 这种艺术形式的历史溯源，通过对景观歌剧，大地艺术，印象派绘画和 山水审美等一系列艺术审美形态的梳理，来探寻山水实景演出的内循审 美历史逻辑，以此证明其得以诞生的艺术和审美必然性，并对其未来的 发展方向做出一种美学语境的预测。然而现实中《印象 术发展的轨迹上却可能走向某种歧路，甚至产生一种现实的悖离，从而 又引出本研究的另一个理论向度，即关注《印象 代文化语境，关注在这种语境下《印象 值，从而在一个更为深刻的层面上认识《印象 文化张力或悖离特质，并以此来探讨《印象 力和悖离的社会与历史的深层原因。最后，本文力图指出作为艺术作品 以及文化现象的《印象 应然趋向，这就是海德格尔为我们所昭示的那条通往“诗意地栖居”的 道路，我们如今对《印象 求“诗意栖居”的未来。 关键词：《印象 后现代文化语境 诗意地栖居 II THE STUDY of IMPRESSION·SANJIE LIU on AETHETIC HISTORICAL LOGIC and CULTURAL CONTEXT ABSTRACT The large-scale landscape performance Impression · Sanjie Liu as a brand-new artistic style, a new cultural phenomenon , has attracted more and more peoples attention. This thesis tries to discuss the aesthetic significance and cultural value of Impression · Sanjie Liu on aesthetic historical logic and cultural criticism stance. By showing the creative ideas and artistic styles of Impression · Sanjie Liu, can we find the contradictory evaluation of people about this art. From this starting point ,we can trace the origin of Impression · Sanjie Liu as a large-scale landscape art ,and by analyzing a series of aesthetic art forms such as visual operas, earth arts, impressionist paintings and landscapes, to explore the historical logic of landscape art and prove the inevitability to the birth of their artistic and aesthetic logic ,and forecast its future direction in an aesthetic context. However, Impression · Sanjie Liu may be led to a wrong road, or even a deviation from reality. So we must talk about another the oretical dimension, that is of concern, the post-modernlism history background of Impression · Sanjie Liu . We should pay attention to the cultural significance and value so as to evaluate its extension as a contemporary culture or deviation qualities. And then we can explore what lied behind this phenomenon. Finally, we try to point out that as works of art an