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Abstract
At the background “cultural turn”, feminist translation theory becomes more and
more flourishing around the world; some scholars begin to pay attention to the factor of
gender in translation. But the present studies mainly focus on analyzing the differences
between male‟s version and female‟s version. Few scholars tend to analyze if the
translators can keep other gender ‟s perspective on the basis of androgyny. This thesis takes
two versions of Jane Eyre as the research objective, comparing the reproduction and
recreation of female consciousness in female translator Zhu Qingying ‟s version and male
translator Huang Yuanshen ‟s version through analyzing representative examples. The aim
of this thesis is to explain that Huang Yuanshen can keep androgynous perspective through
shifting his gender identity and reviewing the gender problems from the female
perspective.
This thesis will borrow the concept of androgyny to explain translator ‟s gender
perspective in translation. Androgyny usually means the combination of female
temperament and male temperament. Translator‟s androgyny mainly means translator can
view the problem of gender from different gender perspectives in the process of
translating to fulfill the transformation of translator ‟s gender identity and express the
author ‟s intention briefly. Influenced by the factor of gender, translators may present some
discrimination when translating other gender ‟s works, or change the author ‟s original
in
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