“长耘于空漠”的孤独者——论吴大羽的绘画艺术.pdf

摘要 吴大羽是二、三十年代引进西方美术的第一代油画家中颇具代表性的人 物，曾被林风眠称为“非凡的色彩画家”，“具有宏伟的创造力”。然而种种原 因使得他在解放后直到文革期间一直处于被压抑、被埋没的境地。本文试图 通过对吴大羽一生三个阶段(早、中、晚期)代表作品的演变分析，从多个 角度探究其绘画风格形成的根源，与欧洲早期现代派绘画、与中国传统文化 等等，总结其在探索中西绘画的异同，最终融合并开创出独树一帜的绘画风 格的积极意义，也为现代的美术教育和美术创作提供了有利见解。 关键词：西方绘画；传统文化；写意； 融合 himselfto A ofsolitudewhodevotes spirit field artinanuntrodden ofUDaU ·——Onthe art W painting y Abstract first of whowere Wu ofthe Dayu，arepresentative generationpainters in fineartsin1920sand oncecalledan introducedwestern 1930s，was color becauseofhisbrilliant Lin by Fengmian． extraordinarypainter originality forvariousreasonsfromtheliberationofChinatotheCultural However been andhidden．Basedonthe ofhis Revolutionhistalentshad repressed analysis worksatthethree ofhis arethe middle representative stages life(theyearly,the andlate thesis to intothesourceofhis style periods)，thisattemptsprobe painting fromseveral with modernistic along earlyEuropean development perspectives andtraditionalChinesecultureandSOforth．Inthemeantime．ittriesto paintings summarizethe ofhis Chineseandwestem and significanceintegrating paintings a after t