A Tentative Study on the Modern Construction and Reflection of Chinese Film Concept.docVIP

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  • 2016-09-26 发布于北京
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A Tentative Study on the Modern Construction and Reflection of Chinese Film Concept.doc

A Tentative Study on the Modern Construction and Reflection of Chinese Film Concept.doc

A Tentative Study on the Modern Construction and Reflection of Chinese Film Concept   Abstract:Chinese film concept is continuously changing and developing and it is closely related to the promotion of social group’ cultural level. As an indispensable element of contemporary cultural undertakings, film culture and film concept are associated with each other by mutual promotion. Thus, to comprehend the film concept is to comprehend the cultural connotation of films. The present thesis gives an analysis into the development history of Chinese films and summaries the major cognitive concepts in Chinese film culture and proposes some scientific suggestions to the construction and reflection of contemporary film concept.   Key words:Chinese films; concept; construction; development   reflection   Along with the increasing development of people’s cultural and ideological level, the development research of film culture has achieved an advanced progress and film concept has formed a more stable theoretical consciousness in the screen culture. It has great influence on contemporary films’ construction to rethink the changing course of Chinese film concept and summarize the core route of Chinese film culture. As the theoretical guidance element of Chinese film industry, ideology has far-reaching influence on the creation and development of films.   1. The development history of Chinese films   Chinese film was born in 1905. Jingtai Ren, the founder of Beijing Fengtai photo studio, filmed Mount Dingjun in which Xinpei Tan starred. This was the first film produced by our Chinese people. Having gone through the earlier stage, the left-wing literature period, the anti-Japanese war period, the liberation war period and the new Chinese time, in order to consolidate Chinese film market’s development position in the world, contemporary film’s ideology construction should take into account the development demand of the screen culture and put forward the feasible ideologies o

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