跨文本的流动回归试析 .docVIP

【離散與亞洲華語語系電影】研討會 Diaspora, Film and the Sinophone Asia 國立中山大學人文社會科學研究中心?國家與族群－離散論述研究計劃 國立中山大學外國語文學系－離散／現代性研究室 4-5 March 2009 ………………………………………………………………………………………………………………………………………. 陳翠梅（馬來西亞電影導演） [tanchuimui@] 【談馬來西亞新電影】 王君琦（國立東華大學英文系） [chunchiwang@.tw] 【Making a Home for Queer Diasporas】 張錦忠（國立中山大學外文系）[tktong@.tw] 【他鄉異地：陳翠梅短片《南國以南》的離散空間】 熊婷惠（國立中山大學外文系博士班）[m座机电话号码1@.tw] 【偷窺的快感？：陳子謙《4:30》中看／不見的女人】 張彣卉（ 輔仁大學比較文學研究所博士生 ） [vivianne7072@.tw] 【 跨文本的流動/回歸：試析《圍棋少女》與《紫蝴蝶》之「逆」愛主題】 王遠洋（ 國立交通大學外文系碩士班） [farocean.flg95g@.tw] 【以詭異再現離散：論《黑眼圈》中李康生的一人分飾二角 】 劉芳礽（國立中山大學外文系博士班）[d座机电话号码2@.tw] 【歷史的空隙，慾望的想像:《牆之魘》和《海角七號》中的「牆」】 ……………………………………………………………………………………………………………………………………………. Making a Home for Queer Diasporas 王君琦 國立東華大學英語系 As argued by scholars such as Gayatri Gopinath, the cultural experiences of queer diasporas often reinvent family and national imaginaries when resituating queer subjects within them. For queer immigrant subjects, home is not so much a site of repression to escape as it is a space that needs to be liberated. This particular queer cultural experience of transforming an imprisoned home into a liberal space annotates the dynamics of a Chinese mother’s reluctant acceptance of all her sons’ homosexuality in Rice Rhapsody Kenneth Bi, 2004 . Set in strait-laced Singapore, the radical and sanguine welcoming of queerness in this family tale, however, is facilitated by a fairy-like French teenage girl. Through a close textual analysis of this film, I will examine the role played by this whimsical Western mediator in suturing together queer culture and Chinese diasporic identity. I will argue that the employment of this device reinforces the overriding Euro-American power in advocating the social acceptance of queer people and transfiguring the conservative culture of Singapore, as represented by the mother character. 他鄉異地：陳翠梅短片《南國以南》的離散空間 張錦忠 國立中山大學外文系 這篇論文試圖從歷史與空間這兩個面向來探討陳翠梅的《南國以南》：首先是時間問題──陳翠梅在二○○六年拍攝這部短片的歷史意義何在？為什麼影片以一九八四年為時間背景？從一九七五年，到一九八四年，到二○○六年，船民事件的（斷裂）歷史脈絡可以呈現怎樣的結構？其