求索人生艺术的真谛.docVIP

求索人生艺术的真谛 ――《求索人生艺艺术的真谛――袁雪芬自述》》便是这样的书。袁雪芬的戏戏，我看过一些，听过许多―――她的录像资料极少，除了了电影《梁祝》、《祥林嫂》》外，连最具艺术性的《西厢厢记》，都没有留下婀娜的倩倩影，这是多么地遗憾啊。幸幸而，她成名很早，灌有许多多唱片――1936年即灌有有她的第一张唱片，那时她才才14岁呢，但也无法弥补她她的整个艺术人生。毕竟，这这些老唱片只能作为研究早期期越剧的资料，而已无传唱的的价值了。袁雪芬的戏，大多多演在解放之前；解放后，她她戏演得很少，有影响的除了了《西厢记》、《祥林嫂》，，还有一折《双烈记 ? 夸夸夫》，此外，已888的命命运；而她，又夹在各种风波波的浪口上。但是，“岁寒，，然后知松柏之后凋也”，袁袁雪芬是当得起这句话的88”把袁雪芬变成了祥祥林嫂；而她却说：“觉悟了了的我，决不可能与祥林嫂一一样。经过这场血与火的洗礼礼，使自己成为了一个清醒的的8888者，懂得今后该做做的是什么，不该做的坚决抵抵制或拒绝。”也正因为此，，她8888常委时，替替人平反冤狱；在88风波中中，她带团去美国演出，面对对策反，站稳脚跟，辨明方向向，一个不少地毅然归来；在在各种场合，她大力反腐败，，为民鼓与呼！如果说，当年年在88区，她主演《祥林嫂嫂》，联合十姐妹义演《山河河恋》，还是自发的话；那么么，此时，她已经成长为一个个自觉的8888了。这一切切，与周总理与邓大姐对袁雪雪芬的关怀是分不开的。似乎乎可以这样说，总理夫妇是袁袁雪芬的人生知音。在那暗无无天日的岁月里，“尽管每天天多次都想到死，最后怎么没没有去死呢？这多半来自周总总理与邓大姐的精神感召”，，袁雪芬如 。 industrialization, industrial characteristics, contribute to ecological environmental protection. One is to actively implement the project support, vigorously implement the Microfinance in the area of hope project assistance projects; two is the key to implement talent support in the initiative for the economic development in the reservoir area of the introduction of talent at the same time, vigorously implement the reservoir youth transfer plans to promote employment, promote the transfer of labor in youth, promote the resettlement work in youth labor employment; three is to vigorously implement ecological support , in the reservoir area to carry out the service for the Three Gorges migrants, building a green reservoir activities, in order to protect the ecological environment of the reservoir area to make a real contribution.Five, continue to consolidate the work of the Communist Youth League FoundationAlways adhere to the party building, strengthen rural grassroots league construction, push the construction of rural youth center, vigorously extending the work of arms, and carry out the rural education to strengthen the sense of Youth League activities, continue to lay a solid foundation for the rural work of the Communist Youth League.(a) to strengt