Stereo and Surround Panning in Practice davidgriesinger立体声和环绕规划实践davidgriesinger.pptVIP

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Stereo and Surround Panning in Practice davidgriesinger立体声和环绕规划实践davidgriesinger.ppt

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Stereo and Surround Panning in Practice davidgriesinger立体声和环绕规划实践davidgriesinger

Surround From Stereo David Griesinger Lexicon Dgriesinger@ /~griesngr Main Message Two channel audio is ubiquitous and obsolete. Reproducing two channels through multiple loudspeakers in the listening room (or a car) is a big improvement, Even if it is poorly done. Fully automatic two-channel-to-surround processors are widely available as consumer products. We need to make a processor that works well. Operator-controlled two-channel-to-surround processors are an important component in the re-mix process for creating discrete recordings from multichannel or two channel masters. The better we can make this component the better the ultimate product. The design of a processor that works well can teach us how to make better discrete recordings. If a machine can make a better surround mix than the typical sound engineer, perhaps we have something to learn! The design of a superior two-channel-to-surround processor requires an understanding of room acoustics and human perception. This knowledge can be applied to recording (and processing) technique. Introduction Two channel sound reproduction (stereo) was introduced about 50 years ago. The improvement in emotional involvement provided by stereo over mono is compelling and easy to demonstrate. Since then the basic principles of stereo reproduction have not changed. Improvements in S/N or frequency response are welcome, but not compelling. It seems likely that CD’s replaced LPs largely because they are more convenient, although the improvement in sound quality was also easily heard. The improvements in envelopment and sound stage provided by multichannel sound are easy to appreciate and demonstrate – but they are seldom compelling. Current surround recordings improve the reproduction of the original hall, but are otherwise very similar to a two channel recording. It takes an innovative and risky mix to show what surround sound can do emotionally, and these mixes are rare. The major market for surround recordings in th