浅谈国画中点线面对于画面构成的必要性.doc

毕业论文(设计) 题目名称： 浅谈点线面对于画面构成的必要性浅谈点线面对于画面构成的必要性 学 生：张六一 长江大学艺术学院 指导老师：陈 晨 长江大学艺术学院 【摘要】：“构成”的概念形成于上世纪20年代的现代艺术兴起的流派之一：德国包豪斯主义和俄国的构成主义。“构成”的概念,指艺术是对形态、材料、空间的整体感受,是创造形式的过程,也就是说艺术家主观性地考察宏观世界和微观世界,寻找各事物间的组合规律,接着按照自己的理解表现客观世界。这一观点对西方当时以再现客观世界为标志的古典雕塑和绘画艺术来讲,是一场变革,而对于中国传统绘画特有的“有意味的形式”而言,却有着相似之处。在构成中,艺术家对材料、形态、空间等画面中的整体感受的随心抽象表现所运用的造型语言形态,就是点、线、面。本文通过对点线面的本质进行了解，解读点线面各部分在国画中的运用及效果，从而确定点线面在画面构成中的必要性. 【关键词】：画面构成；点、线、面；中国画；Discuss dotted lines in the face of the necessity of its composition Students: Zhang Sixone Art College of Yangtze University Teacher: Chen Chen Art College of Yangtze University 【 Abstract 】 : the concept of form formed in the composition of the Bauhaus in Germany and Russia in the 1920 s, is one of the rise of modern art genre, a modern composition education has become a compulsory course of art education in our country. The concept of form, that is, art is the process of creating form, is the form, the material, the overall feeling of the space, also refers to the artist subjectivity studies on macro and micro world, exploring the combination between different things, and then according to the understanding of their intuitive in the abstract expression of the objective world. This view of the west in order to reproduce the objective world of classical sculpture and painting art, is a revolution for the traditional Chinese painting of meaningful forms, but do share similarities. In composition, the artists to the form, material, space, the overall feeling of abstract performance by using the modelling language form, is the dot, line, face. This article through to the point on the surface of the line, understanding the nature of reading parts of point, line and plane in the application and effect of traditional Chinese painting, the necessity of the composition of point, line and plane is determined. 【 Key words 】 : composition; Dot, line, face; Traditional Chinese painting. 浅谈点线面对于画面构成的必要性 学 生：张六一 长江大学艺术学院 指导老师：陈 晨 长江大学艺术学