电影中的镜头叙事学——解析电影《南京,南京》中的镜头运用(国外英语资料).docVIP

电影中的镜头叙事学——解析电影《南京,南京》中的镜头运用(国外英语资料) Lens is the most basic unit of a movie, each a different point of view, different length, different view to the combination of the performance and sequence, details, and ultimately will form different visual impact and visual perception. How the camera is used and how to present the details often depends on the tone of the movie and the content it wants to represent. Formalism and realism is the earliest, most primitive movie style of method and means, the director of different style tend to tend to use a different mirror put for performance. In to the distinction between these two aspects of concrete, in the feature film is usually dont do too much of a prescriptive, everything according to the needs of the plot to make a decision, so the general feature, dont walk the poles, but there are some exceptions in the history of the cinema in the world. What is the lens, and how to use good camera, is each director must know about the most basic concept, to the use of the lens and grasp how to tend to be the most basic, the most concrete manifestation and directing prowess. Lets take a look at the film in nanjing, nanjing. One, lens style When talking about the camera, it is often said that the lens style is one of the most important combination factors in the film style. I believe that all the audiences familiar with lu chuans style will also be familiar with the slightly documentary style that lu chuan has. As one of the new generation of filmmakers Chinese cinema, the first two films search, kekexili, has the obvious mark, and the characters, especially for small peoples psychological description and psychological reveal, psychological hint, read with very exquisite description and very accurate grasp. At the same time, every shot is carefully choreographed and organized. Nanjing, nanjing, the film because of the story from the background, in 1937, is at a distance of space and time from now, from now to complete performance and re