细川俊夫合唱作品《圣母颂》研究.pdfVIP

万方数据 摘要 摘要 细川俊夫 1955 年 10 月23 日生于日本的广岛，在东京学习钢琴和作曲，1976 年赴柏林高 等艺术学校师从尹伊桑（Isang Yun）学习作曲，1983-1986 年又到弗莱堡音乐学院师从克劳斯·胡 贝尔（Klaus Huber ）深造。在创作上，细川俊夫勤勤恳恳，以室内乐作品创作为主，将“主要 音”创作技法发挥到淋漓尽致。 细川俊夫合唱作品《圣母颂》属于大型室内乐形式作品，16 个声部的无伴奏合唱。本文通 过对《圣母颂》的音高材料、节奏节拍、多声织体处理、全曲整体结构布局等分析，全方位透 视这部作品；通过对作品的分析，了解细川俊夫“主要音”技术的处理方式。最终更好的为作 品创作提供更多思路。 细川俊夫的创作，以日本人文作为基调，作品中时刻透露着日本本土的音乐、文化气息， 这一点对于我们创作具有中国文化气息的作品具有一定的指导意义。 关键词：细川俊夫、主要音、音高布局、节奏、复调 I 万方数据 英文摘要 Abstract hosokawa jung, October 23, 1955 was born in Hiroshima, Japan in Tokyo, studied piano and composition, higher art school in Berlin in 1976 from Yin Ethan (I sang Yun) studied composition, 1983- 1986 and to freiburg school of music from Klaus Huber (Klaus Huber) for further study. On the creation, hosokawa oppa, diligent, give priority to w ith chamber music works creation, to display the creative techniques of main tone to the incisively and vividly. Hosokawa jungs chorus works \ ave maria\ belongs to the large chamber music form work, 16 parts no instruments chorus, this artic le through to \ ave maria\ material of pitch, rhythm and tempo, several texture processing, whole layout of the overall structure analysis, comprehensive perspective the work; Through the analysis of the work, understand hosokawa jungs \ main tone\ technology are handled. Ultimately better for work to provide more ideas. Hosokawa jungs creation, human as the fundamental key, w ith Japan in time according to the Japanese mus ic and culture, this point for us to create works w ith