论中国古典舞对太极的承袭.pdfVIP

摘要 论中国古典舞对太极的承袭 摘要 中国古典舞作为舞蹈艺术的典范代表，在漫长的发展过程中融合了多种元素与文化 内涵于其中，尤其是和太极有着颇深的渊源关系。本文以中国古典舞舞蹈史学和中国古 典舞基础理论作为理论依据，运用理论研究方法结合图例进行归纳、对比和分析，对中 国古典舞的体态特征、舞蹈调度、“气韵”、审美范畴四个方面进行了论述。 第一章介绍了本文的研究对象、研究目的和意义、研究现状、研究方法，并对本文 中几个关键的概念进行了概述；第二章对中国古典舞的动律部位进行体态分析并归纳出 其体态特征，通过太极在体态特征中的反映论述中国古典舞的体态特征对太极的承袭； 第三章通过分析中国古典舞舞蹈调度的调度方式在物象空间中的意象表现论述中国古 典舞的舞蹈调度对太极的承袭；第四章以 “气韵”在中国古典舞中的两个含义作为根本 出发点论述中国古典舞的“气韵”对太极的承袭；第五章通过中国古典舞的审美范畴透 视太极的意象表现论述了中国古典舞的审美范畴对太极的承袭。通过本文的研究以期对 今后的中国古典舞艺术实践、舞蹈理论及学科建设中出现的某些疑惑起到一定的释疑和 推进作用。 关键词：中国古典舞，太极，承袭 I Abstract ON TH INHERITANC OF CHINES CLASSICAL DANC FROM TAIJI ABSTRACT As the model representative of dance, Chinese classical dance has integrated various elementsandculturalconnotationsintoitduringthelongprocess of.development;especially it has a fairly long history of relationship with Tai Ji. This paper takes the dance historiography of Chinese classical dance and itsbasic theory asthe theoretical basis, and it combinestheresearchmethod oftheoreticalwithconventionalsignstocarryoutasummary, comparison and analysis. It also discusses the Chinese classical dance s physical feature, dancingscheduling,“artisticconception”andthescopeofappreciationofthebeauty. Thefirstchapterintroducestheobject,purpose,andsignificanceofthestudy,thecurrent situation of the study and the study methods, as well as providing an overview of the key concepts inthispaper; the secondchapter carries out an analysisof figure ofthe grooves of Chineseclassical dance aswell asconcluding itsfigure features, andbased onthereflection of Tai Ji inthe figure features, it discusses the inheritance ofthe figure features of Chinese classicaldancefromTaiJi;thefourthchaptertakesthetwomeaningsof“artisticconception” in Chinese classical dance