从郭德纲相声看中国相声幽默对语用原则的偏离（A deviation from pragmatic principles in Chinese crosstalk humor from Guo Degangs cross talk）.docVIP

从郭德纲相声看中国相声幽默对语用原则的偏离（A deviation from pragmatic principles in Chinese crosstalk humor from Guo Degangs cross talk） Introduction crosstalk is one of the cultural treasures of the Chinese nation. It has a history of more than 100 years. It is a kind of cultural expression with Chinese national characteristics. It is the concentrated expression of Chinese traditional verbal humor and deeply loved by the broad masses of the people. Chinas comic dialogue evolved from jokes, and after nearly a hundred years of development, crosstalk has gradually become a representative of our culture of the typical form of artistic expression. Cross talk is the art of a language. It pays attention to speaking, learning, fighting and singing, and has a high demand for the language skills, cultural quality and performing skills of an actor. In cross talk show, the actors language use pays attention to the pragmatic strategy, and uses the burden to make the audience laugh. In addition to understanding Chinese culture, we should also have a good understanding of the language forms of cross talk. According to the popular comic Guo Degang on both sides of the Changjiang River corpus, from the perspective of pragmatics to analyze humorous cross-talk language on pragmatic principles -- conversational principle, politeness principle and relevance principle deviation, so as to explore the pragmatic roots of humorous cross-talk language generated. 2 cross language deviation on pragmatic principles from the people for the purpose of communication process in the use of language, to highlight its expression through some of the most economical means of communication, and the typical features of the corresponding register to the temporary, intentional violation. This deviation is often understood and accepted by both sides, so as not to lead to interruption of communication. However, if one of the speakers intentionally violates the principle and cannot or does not let the hearer understand his intenti