营销调研的罗生门(Marketing research Rashomon).docVIP

营销调研的罗生门(Marketing research Rashomon).doc

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营销调研的罗生门(Marketing research Rashomon)

营销调研的罗生门(Marketing research Rashomon) Heavy rain, a dilapidated gate in front of the building, monk, the woodcutter, hire day laborers, three people in the rain. A monk automatic speaking: horrible, just as this thing looks like the world, simply can not make people believe. This is what the robber, what plague, fire, war more terrible. One side is also in the final state rather baffling, he plucked up the courage to work out a murder case of a strange. Three people, into a play, this remark is not empty. The story begins with three people sheltering from the rain, and the key characters in the plot are also three: robber, warrior, warrior, wife. The triangle should be the most stable structure, and in the Rashomon in the movie, it has become synonymous with contradictory. For the death of a samurai warrior, the readme and his wife on the picket to be quite different, the woodcutter and yamen Temple statements are not the same. Even more amazing is that the dead warrior borrowed the truth from the wizards mouth and was accused by the woodcutter of the whole process of seeing it happen. In one case, neither the witness nor the witness is right. If you are that you how to make adult picketing, settle a lawsuit? Rashomon is one of the representative works of Kurosawa, in the boot before the shooting, including Dongbao, and other famous Japan Daiei studios are not optimistic about the prospects of this movie. Even at its international awards, Nagata Masahito, the head of the studio, told the press bluntly that he could barely understand the film. Rashomon did not understand, stream of consciousness, feeling very strong. It is unique in that wonderful blend of Oriental wisdom instinct and Western rational thinking, because the original author Akutagawa Ryunosuke, is a brilliant writer of genius and unique style, known as the Oriental instinct of westerners. The film focuses on the truth, more than the pragmatic morality of the Japanese tradition. The whole style is messy

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