A discussion on the Changbai Mountain theme documentaries triple realm（长白山上的讨论主题纪录片三重境界）.docVIP

A discussion on the Changbai Mountain theme documentaries triple realm Qing Dynasty ru Wang Guowei gt;gt; lt;lt; Human Words: “the ancient and modern, the cause of National Cheng Kung University, the University asked, shall pass through the three kinds of the realm: ‘Last night westerly withered Bishu the tower alone, overlooked the endless distance’. first environment. ‘pine end do not regret, to eliminate the Iraqi people were emaciated.’ The environment ‘People look for him hundreds of Baidu, when I look back, that person is in, the lights dim’. The third border. “Changbai Mountain theme documentary, I believe that its creation has gone through evolution and superposition of the beauty of the scenery, natural beauty and human beauty triple realm. Realm of one of: lt;lt; Changbai Mountain Four Seasons gt;gt; scenery of America 1980s, widely studied under the theme of documentary art forms have also developed the first development is the beautiful documentary. [1] during this period of scenery documentary using the art of commentary plus screen plus background music. theme first, and commentary with a strong subjective color and creator of the creation before the entire documentary set some kind of emotional tone. These emotional program has some tendency in the selected theme, and written commentary. Director of the Changbai Mountain Four Seasons gt;gt; CCTV Zang Shuqing the early 1980s, is an introduction Changbai Mountain and praise the Changbai Mountain, known in the literary prose scenery documentary masterpiece The film is divided into lt;lt; spring of praise “, lt;lt; summer tour gt;gt; lt;lt; Autumn gt;gt; lt;lt; winter Wing gt;gt; four sets, and rhetoric, the welter of literary grace and the wonderful picture of organic blend of sound and picture, and Mao to show the changes of the natural beauty of Changbai Mountain Four Seasons. For example, the authors depict the peaks of the Changbaishan Tianchi lake standing around in the film, like the f