nationalization of oil painting and oil painting nationality(国有化的油画,油画国籍).docVIP

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nationalization of oil painting and oil painting nationality(国有化的油画,油画国籍).doc

nationalization of oil painting and oil painting nationality(国有化的油画,油画国籍)

Nationalization of oil painting and oil painting nationality Early 20th century, the introduction to traditional Chinese painting art education and traditional painting tremendous impact on the emergence of Western Europe, the studio teaching college system, and at that time triggered a “hot oil.” Creation of a specific practice for the Western novel artistic painting attracted the intoxicated, under the long closed-door policy for the Chinese people can not help but learn from and imitate. learn, learning, artistic expression has been improving, along with how accurately and to the interpretation of China literary self-identity - that is, nationalization of oil painting is an urgent need to address the problem. Oil painting from 14 century Europe, the pursuit of Renaissance realism and representation of artistic vision, the establishment of a series of rules and practices of painting, forming a relatively tight, perfect paint program. Then experienced a classic, modern, modern several periods, showing the art of thinking and different times of the face. painting has always been rooted in Western culture, the soil, continue to evolve under its own laws. to the 20th century, the painting into a stage of exploring their own language. Ming Dynasty, the Italian missionary Matteo Ricci, represented by the “Western Learning” campaign can be seen as a prelude to oil painting in China, while Jesus Catholic monks, Italian painter and architect Giuseppe Castiglione, it is with the West cultural traditions of Western painting transferred to the representatives of China, Chinese people take the initiative to study Western painting in the 19th and 20th century. It was during this period, a large number of Chinese students to study Western painting and the painting from the West China introduced the Chinese to learn from in the form of painting began, at first, its vivid and elegant picture shocked to simple imitation of Western graphic artist, and then start from

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