aesthetic perception and reflection review he yongkang red aesthetics(美感和反思回顾他永康红色美学).docVIP

aesthetic perception and reflection review he yongkang red aesthetics(美感和反思回顾他永康红色美学).doc

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aesthetic perception and reflection review he yongkang red aesthetics(美感和反思回顾他永康红色美学)

Aesthetic perception and reflection Review He Yongkang Red aesthetics Dream of Red Mansions lt;lt; gt;gt; - This Chinese classical one of the greatest works of fiction, with a super-sensuous realm of philosophy and even the religious realm, but it is on this side of the emotional world of “bringing back memories of the sky.” She created a new philosophical spirit However, superb art show both the content of the mind perceptual, Youyi reminder of the genius of artistic creation, called the germinal the infinite world of meaning ...... Hegel defines the concept of beauty as perceptual appearance, “metaphysical” spirit “form” of artistic creation perceptual appearance, it is the core of aesthetics. lt;lt; gt;gt; Dream of Red Mansions, with its unique metaphysical realm and artistic creativity, self-contained kind of aesthetics. He Yongkang division named “Red aesthetics”, focusing on a “novel” Dream of Red Mansions of lt;lt; gt;gt;, is the “poem” and “silent music” and “a lyrical philosophy”, and therefore, to be made by “concrete of learning” very philosophical sublimation “aesthetic.” Thus, “Dream of Red Mansions” Standing out from among “Red aesthetics.” Aesthetics is the philosophy of human history, the most important aesthetics, aesthetic system to create more for philosophers, however, any aesthetic theory, they can not deduce “Red” and “metaphysical” the world, despite the aesthetic theory can be used to take some contemplation, examine the “Red” and “eyes”, but “perceptual appearance” of the “image” is greater than “idea”, “thought”, but it can make any aesthetic “taking care of this” and “lost” in some ways ineffective. “Red Aesthetics “As imaginative artist” aesthetic “, is also greater than the philosopher of the” aesthetic. “ Therefore, the book of “Dream of Red Mansions,” the aesthetic realm, breath in Cao Xueqin’s “Aesthetic Perspective,” rather than ready-made theory of tragedy and foreign in the “Red House” in “embodied.” In Ch

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