aesthetic renaissance with the new way of doing aesthetics（审美复兴做美学的新方法）.docVIP

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aesthetic renaissance with the new way of doing aesthetics（审美复兴做美学的新方法）.doc

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aesthetic renaissance with the new way of doing aesthetics（审美复兴做美学的新方法）

Aesthetic renaissance with the new way of doing aesthetics Since the founding of New China, from the 1950s until today, China has experienced three aesthetic development boom and I think these three craze referred to as “the great debate aesthetics”, “Aesthetics” and “aesthetic renaissance”. “Aesthetics Big Talk “, referring to the 50s from the 20th century began the discussion on aesthetics. This discussion has been extended to the early years of the 1960s. With the” Cultural Revolution “is approaching, this discussion has gradually given way to more for the direct political and literary debates. “Aesthetics” is from 1978 onwards, with “thinking in images” as the beginning of the discussion of aesthetic craze. This boom lasted until the late 1980s, thereafter as social, economic, cultural institutes and some other disciplines replaced . occurred in the late 20th century a new aesthetic boom years, I would like to call it “aesthetic revival.” aesthetics of this new round of development, the emergence of many new topics in the disciplines within the profound changes have taken place . An aesthetic criticism dilemma: Talking from a little story Spoke of “renaissance”, I would like to talk from a story a few years ago, there is a bet on a book of literature and philosophy called lt;lt; gt;gt; English magazine, which read a small article about the United States a university professor of literature a personal experience. article says the professor and several other once a professor at the department, outside the school to a new doctoral graduates to job interview the interviewer who asked her in accordance with conventional education and doctoral studies case study, Dr. replied Victorian British poetry. Subsequently, in accordance with requirements of the doctoral students from a poem talk, spend deconstruction, new historicism, feminism, and other every new doctrine, some critics of popular tools will play vividly, showing her understanding of contemporary t