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analysis of chinese painting in the design factors(分析中国画的设计因素)
Analysis of Chinese painting in the design factors
Abstract: This article from the painting mood painting program, and the language of painting three aspects of design factors in the analysis of Chinese paintings, traditional Chinese paintings law to modern design philosophy to study traditional Chinese painting into the modern context provides a new way of thinking .
The design is not a product of modern, because the design behind the idea and the creative act, as early as the beginning of human civilization, the essence, of human life itself can be said that the results are designed, are one of the constant improvement of the design along with the growth of Chinese civilization, the mature traditional Chinese painting, and design concepts are inextricably linked, to re-recognize the modern design of the visual design factors in traditional Chinese painting, and of great significance for the modernization of Chinese painting.
A mood design
As a crystallization of Chinese traditional culture, Chinese painting mood contains a rich cultural heritage and philosophy, it has its own unique design concept. Confucius said: “As for the Road, it is a virtue, abide by benevolence, swim in the arts, the Northern and Southern period painter and theorist Sheikh “Lively (1) all believe that art is not only gorgeous dazzling accomplishment temperament comprehensive, it is an inner truths express.
Ancient Chinese painting is not only copy the shape of the object, the image of the beauty of moving, is entrusted with the artist or quiet and elegant detached majestic Manhattan or forceful subjective aesthetic charm the famous esthetician Mr. Zong Baihua said: “The map Vientiane on behalf of the artist’s mind mountains and Liyan, he the performance of the the subjective life mood with the objective of natural scenes blend mutual infiltration achievements of an eagle flying diving, lively, deep, however deep spiritual environment, this spiritual environment is constitu
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