on the cao yu and the chinese culture modern aesthetic turn tragedy(曹雨和中国文化现代美学悲剧).docVIP

on the cao yu and the chinese culture modern aesthetic turn tragedy(曹雨和中国文化现代美学悲剧).doc

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on the cao yu and the chinese culture modern aesthetic turn tragedy(曹雨和中国文化现代美学悲剧)

On the Cao Yu and the Chinese culture modern aesthetic turn tragedy [Abstract] China’s traditional culture and aesthetic tragedy and the tragedy of Western culture has a significant aesthetic difference. By Western culture, thinking, thinking in modern Chinese history and literature in the history of tragic reversal of aesthetic culture. Aesthetic ideas of Chinese culture generation and interpretation of thousands of years to accept the challenge of Western culture, in this magnificent literary revolutionary movement which, Cao Yu has made a sincere effort and a solid artistic practice, showing the tragedy of the traditional Chinese concept of creative daring to depart from and beyond, the tragedy of the West to accept and integrate creative ideas. aesthetic break with this culture shift, responded to the call of the times of deep, opened up a whole new aesthetic space. [Keywords:] Cao Yu; tragedy; cultural aesthetic; turn The tragedy of the concept of traditional Chinese opera with Western concepts of tragedy has a strict sense of the difference, and even some scholars believe that China does not have a real sense of the tragedy, on the grounds in general is due to the tragedy of Chinese opera to comedy in the form at the end are not Western drama as a tragedy, as in the end. In fact, after countless generations of Chinese drama enrich the art of exploration and development, creating their own drama with the West significantly different characteristics, as Wang Guowei said: ‘opera who played that song and dance story’ (lt;lt;Song and Yuan drama exam gt;gt;) However, if the dramatic presentation to divide, in the traditional Chinese opera is difficult to cut separation of the boundaries of comedy and tragedy, even tragic comedy is full of color from the study of this culture , we find that the culture of Chinese playwright and the audience’s aesthetic psychology is different from Western culture’s aesthetic psychology. I thought the following fou

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