遗民画家和隐士文化.pdfVIP

遗民画家和隐士文化 摘 要 本文主要论述了中国绘画史上的特殊画家群——遗民画家，以 及遗民画家和中国传统隐士文化之间的相互关系。文章先着重分析 了遗民画家艺术生活的时代背景，全面而具体地探讨了遗民画家的 艺术成就及其影响。接着从遗民画家的生活方式引出中国传统文化 中的隐士文化，分析了隐士文化对遗民画家艺术生活的深刻影响， 遗民画家成为隐士文化的主体，反过来又在不断对这一古老文化进 行新的诠释。两者间相互影响、相互融合不仅构成了中国绘画史上 的特殊景观，也推动了文人画的发展。 文章分为三部分，第一部分先对“遗民”概念作了界定，在此 基础上重点分析了宋遗民和明遗民中的画家——他们所处时代的 特殊性造就了其艺术和生活的特殊性，并选择有代表性的遗民画 家，分析其艺术成就及其影响；第二部分研究了“遗民”的另一种 身份—— “隐士”，探讨了隐士文化的内涵。第三部分分析了遗民 画家和隐士文化之间的相互关系。隐士文化影响着遗民画家的生活 方式和人格取向，遗民画家又构成隐士文化的主体，不断诠释着新 的隐士文化，共同推动了中国画，尤其是文人画的发展。 关键词：遗民 遗民画家 逸民 隐士 隐士文化 Yimin painters and the Culture of Recluse Scholar Abstract The paper mainly expounds the special painter group in Chinese drawing history——Yimin painters,and the interrelationship between Yimin painters and Chinese traditional recluse scholars.It emphasized firstly to analyze the background of painter’s art life,inquired into the painter’s art achievement and its influence completely but concretely. Then ,it analyzed the deep influence of recluse culture to painter’s life from their life style in the Chinese traditional culture,the painter became the corpus of recluse culture,turning over again be continuously carrying on to this ancient old culture with new annotation. The article is divided into three parts,the first part does a define to the Yimin’s concept,analyzes the Yimin painter in Ming and Song dynasty——their particularity of art and life are educated by the same of their age,and chooses the representative painter,to analyze its art achievement and its influence ；The second part studies another kind of status of Yimin painters——recluse scholar,discusses connotation of the recluse culture.The third