刘再复.从卡夫卡到高行健（From Kafka to Gao Xingjian Liu couldnt make.）.docVIP

刘再复.从卡夫卡到高行健（From Kafka to Gao Xingjian Liu couldnt make.） From Kafka to Gao Xingjian An outline of Gao Xingjians aesthetics of awakening In 1999, when Gao Xingjians novel, a mans Bible, was published by the Taiwan couplet press, I made a postscript. From the proofs and found this very poetic novel. Very strange, this novel and the Lingshan the kind of spirit freedom different touch is a fundamental cultural revolution era of reality, the reality is the devil frenzy and darkness, how can write so beautiful? Another surprise is that the previous description and the so-called Scar Literature of the cultural revolution is completely different, it is not condemned, no complaints, no anger, no dissident complex, but profoundly showing the reality and the plight of the people of that era. I also find that Gao Xingjians novel is neither a kind of indignation nor a tragedy of reality, but a calm attitude from the author. This is a rare attitude. The author did not evade reality, but from the reality pulled out, then high cold contemplation of reality. Since then, I have this kind of awareness in the works of Gao Xingjian Shakespeare (Humanities poetic passion), from Gerd (romantic passion), but for Kafka, Kafkas consciousness of absurdity. Only Kafka is the starting point of Gao Xingjian. Kafka is a giant who turns the tide of literature. His creation, farewell to lyric, romantic and realistic literary times, created the absurd as the tone of the literary age. The man in his writing is not the protagonist of tragedy, but the existence of absurdity. It is impossible to explain the protagonists in the book of transfiguration, the trial and Castle by the theory of tragedy. Only the theory of ontology can be used to explain the existence of these protagonists. Kafka to develop the absurd consciousness, found that people were destroyed in the modern society, people become inhuman, found into a beetle, found that people create their own enslavement, deprivation of concept, princi