论梅溪咏物词与清真、白石咏物的关系研究.pdf

2007北京师范人学伞因博}：生学术论坛(中闽语言文学)论文集文学卷(上) 论梅溪咏物词与清真、白石咏物的关系 万静1 (中国人民大学、北京、100872) [摘要]咏物词是史达祖最主要的创作题材，在历代评论中多与周邦彦、姜夔咏物词相提并 论。与周、姜二家相比，梅溪咏物词代表着南宋咏物词风，在情物关系上有意寄情于物，但 不如白石高远遥深；形神关系上“尽态极妍”胜过周、姜，却只限于清真使用的神似途径； 创作姿态上继承清真精心安排之法，却不似白石神韵天然，不留痕迹。在宋词咏物中，处于 从清真到白石的过渡阶段。 [关键词]史达祖：咏物词；情物关系；形神关系 The ofthe ects Relationshiplyricsintoningobj ofShiDazuandthatofZhou and Kui BangyanJiang Wan Jing (Renmin UniversityofChina，Beijing，100872) 81*ethemost themeofShi were Abstract：Lyricsintoningobjects important Dazu，whichalways mentionedwithZhou and Kui’Sinthesame withZhouand Bangyan’SJiang breath．Compared ofShiarethebener ofNan Jiang，thelyricsintoningobjects representativeSungdynasty’Sstyle． inthe arenotas as Though feeling objectintentionally,theyprofound sendingwriters’ample than usestheold Shi more Zhouand to exquisite only wayget Jiang’s；thoughdepicting Jiang，he the of a lotofcareto hisworksas worksarenotas lay spirit；thoughgiving arrange Zhou，his aS between unaffected the ofShiarethetransition Zhouand lyrics Jiang．So intoningobjects Jiang inthewhole of historySung’Slyrics。 words：Shi and Key Dazu·lyricintoningobjects，there