审美视阈下乡土语言英译探究.doc

审美视阈下乡土语言英译探究 任东升闫莉平 中国癡洋大学外国语学院中国海洋大学翻译研宄所 中国外文局沙博理研宄中心中国海洋大学研宄基地 乡土语言进入文学就变成文学方言，文学方言与乡土主题结合构成乡土文学。乡 土文学翻译之趣在于重现地域文化环境和乡土语言的独特性。本文从审美视阈分 析三部20世纪四五十年代乡土小说《李有j板话》《新儿女英雄传》和《苦菜 花》的审美共核，即革命主题、乡土民俗和乡土语言，从语音、词汇、语法和修 辞层面探讨其英文译本对乡土语言审美的再现效果，指出乡土语言的英译疲通 过模仿和变通两种策略，前者包括以原语为依据的模仿、以译语为依据的模仿和 动态模仿，后者包括虚实转化、补偿再现和再创造，由此形成乡土语言再现的审 美图式，保存乡土语言趣味性，使译文具有民族语言印记，有利于在对外传播 中国乡土文学过程中保护和弘扬民族语言文化。 关键词： 乡土语言;审美共核;审美视阈;模仿;变通; 任东升，中国海洋大学外国语学院教授，翻译研宂所所长，中国外文 局沙博理研宄中心中国海洋大学研宄基地主任，266100，研宄方向：宗教翻译思 想、国家翻译实践。电了?邮箱:dongsheng_ren@ouc. edu.cn 闫莉平，中国海洋大学外国语学院，266100,研究方向:翻译理论。 电子邮箱:ylpzbd@163. com 2017-04-14 基金：中国外文局资助课题“沙博理翻译艺术”（编目编号:2O17TSB1）阶段性 成果 On English Translation of Folk Language within Frame of Aesthetics REN Dongsheng YAN Lining College of Foreign Languages， Ocean University of China; Abstract： Folk language, when it enters literature, assumes literary nature, and folk literature is virtually a combination of literary folk language and folk theme. The glamour in translation of folk literature lies in representation of local cultural environment and uniqueness of its folk language. The paper reviews the shared aesthetic core， namely, revolutionary theme, folk custom and folk language, in three folk novels, Li Youcai Ban Hua，Xin Er Nv Ying Xiong Zhuan and Ku Cai Hua，which were published in the 1940s and 1950s. Then it makes an analysis of the effect of representation of the aesthetic appealing of folk language in their English versions at the levels of rhyme, vocabulary, grammar and rhetoric. The authors contend that the glamour of Chinese folk language could be reproduced by means of strategies of imitation and adaptation. Whereas the former refers to source language-oriented imitation, target language-oriented imitation and dynamic imitation， the latter refers to generalization and specification, complemented representation, and translators creation, so that the aesthetic schema of folk language representation could be shaped. By conveying the local taste in folk novels and reserving the pr