建国初期1949-1965筝乐艺术分析-artistic analysis of zheng music from 1949 to 1965 in the early days of the peoples republic of china.docxVIP
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建国初期1949-1965筝乐艺术分析-artistic analysis of zheng music from 1949 to 1965 in the early days of the peoples republic of china
建国初期(1949~1965)筝乐艺术研究中文摘要建国初期(1949-1965)新中国的音乐艺术获得了极大发展,筝乐艺术也不例外,尤其是在新中国政治、经济、文化等各方面飞速发展的社会大环境下,筝乐艺术其自身发展取得了许多新成就。本文通过简要回顾建国前筝乐艺术的生存环境与发展状态,从而对建国初期古筝艺术发展的整体态势进行宏观把握,系统地将建国初期筝乐艺术发展的历史脉络进行梳理。文章以筝曲创作为主线,重点对建国初期筝曲创作的题材、体裁、创作手法、演奏技法、艺术特征等方面进行深入地剖析与研究。与此同时,本文还旁及这一历史阶段筝乐艺术家们对筝专业教育、乐器改革等方面所作的贡献,进而对建国初期整个筝乐艺术的发展进行宏观地把握与总结。全文由绪论、结语和三个章节组成:第一章,建国初期(1949-1965)古筝专业教育的创办与普及。建国后,古筝专业相继进入音乐院校的门槛,开始了筝乐艺术在高等艺术院校中传承的新阶段。本章主要从古筝教育的专业化与规模化以及古筝教学的统一化与规范化两方面进行阐述。第二章,建国初期(1949-1965)的筝曲创作与改编。这一时期,部分流派筝家在保留传统风格技法的基础上,创作了一些富有鲜明生活气息与时代风貌的筝曲,促使古筝演奏技术得到进一步完善,古筝乐器改革也成为必然。本章试对建国初期筝曲创作与改编进行深入剖析与研究,从而对这一时期筝曲的创作手法、演奏技法等方面的艺术特征进行提炼与总结。第三章,建国初期(1949-1965)的古筝乐器改革。建国初期的筝曲创作直接促进了乐器自身的某些改进,与此同时,乐器改革又进一步推动了筝曲创作的步伐与筝乐教育的普及。本章主要从乐器改革的具体体现和重要意义两方面进行论述。结语部分,是在上述研究的基础上,对全文进行简要总结,阐释建国初期筝乐艺术在其整个发展历程中不可替代的历史影响与价值意义,对筝乐艺术的未来发展进行展望。关键词:建国初期,筝乐艺术,筝乐教育,筝曲创作,乐器改革分类号:J609.2IEarly(1949-1965)ArtofZhengMusicAbstractEarlyDaysintheestablishmentofThePeoplesRepublicofChina,musichasgotagreatdevelopment,andtheartofZhengmusicisnoexception.Duringtherapiddevelopmentofthesocialenvironmentsuchaspolitical,economic,culturalandotheraspects,theartsofGuzhengMusichasalsomademanynewachievements.Thisarticlebrieflyreviewedthebackgroundandthestateofdevelopmentoftheartsofzhengmusicinordertomacro-grasptheoverallsituationofitafterNewChina,andthussystematicallysortoutthehistorialdevelopmentoftheartsofEarlyzhengmusic.ArticlesbyZhengmusiccompositionasthemainline,IanalyseandresearchonthecreativethemetheearlydaysofZhengmusic,genre,creativetechniques,performancetechniques,featuresandotheraspectsofartistic.Atthesametime,thisthesisalsowritesthecontributionwhichGuzhengmusicartistsworkonprofessionaleducation,thereformofmusicalinstrumentsinthishistoricalstage,andthentomacro-graspandsummarizetheEarlyDevelopmentofGuzhengmusic.Inadditiontointroductionandconclusion,thisthesisiscomposedofthreechapters:Thefirstchapter,theprofessionaleducationandpopularizationofGuzhengmusicduringtheearlydays(1949-1965)ofChina.Afterchinawasfounded,themajorofzitherareenteringthethres
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