本土化的中国当代女性艺术研究-艺术学美术专业论文.docx

AbstractInthelatterpartofthe20century,WesternfeministstudiesintroducedintoChinaandinthe1990sandhadafairlylocalChinesecharacteristicfeministart．Feminismartisticcreationbecomeobjectiveandnotbeignored，thegroupshighlightedthephenomenon，withthewisdomofincreasingfemalecharacteristicsfromacademiaandindustrycommentontheuniversalconcern．Becausesocialdevelopment andhistoricalandculturaldifferences whichfeministart basedon，theChinesecharacteristicsofthe localart andWesternwomentofightforthe”righttospeak”FeministArtwereverydifferent．Chinesefeminismmistspursuegenderequality,andhopetomenandwomenestablishanequalfootingwithmaleartists’aestheticcharacter,evfflldifferentintheartisticfeatures．ChinesewomendidnotexperiencetheWestasthefeminismmovement,women’Sliberationstruggleisnottheresultofconscious，butwiththesubtleorientalnation,thedeepanddelicatefeatures，comparedtothe¨struggleforpower”，ismoreflexible，calmandEuphemism．Ⅲspaperfocusesonlocalizationfeaturesofthefeministart，summarizedasfivespecificperformances．First,theychoosethematerialdisdainedbymaleartists,winlnegative”mediatemperament,the¨weak¨and”negative¨symbolofthematerialbeingused，becomingan expressionoftherebelforces．Second,my”bodytells‘‘my’story，theyrebelinthetraditionofwomensfixedaesthetic，andexpresstheirownfascinationwiththefemale；Third,drawonChinastraditionalculture，andunderlineChinesecontemporaryfeminismart¨localizationHfeature；Fourth,aSmostwomenexperiencemotherhoodindividualemotionalexperienceisuniquetowomen,butalsowomentobeproudof．Maternityattentiontotheperspectiveofchildrenreflectsahumanecareandhumanitarianc黜．，nlelast,moleandmorefeminismartistsdonotstopattheemotionalwayofthinkingandcreativewaytoarationalandobjectivemannerandkeensensitivitiesinthecommunitytopayattentiontowomensstatusandproblems．Chinesefeminismartistsbeganworkbeyondthegenerallanguageofart,andmaterialsexperiments，meaningmorehigh-levelaccesstothecommunitytocontemporaryart,thelevelofconcernforpeople’S1ivelihood．一一、√田忙generationanddevelopmentoffeminismartre-pai