跨越新旧张爱玲说语言艺术造诣概论.pdfVIP

摘 要 张爱玲的小说语言具有鲜明的特点，在遣词造句、叙述描写上成功继承了 中国旧小说语言传统，表现出古旧的气质，同时，在中国旧小说语言传统的“底 子”上，张爱玲借鉴西方现代的意识流、象征主义等艺术手法，透过古旧的文字 展现出崭新的气象，从而在新旧、雅俗的融合中对中国现代小说语言的发展做出 了独特的贡献。 中国旧小说传统和西方现代艺术是新文学作家共同的背景，然而，能否与 这一背景产生有机反应，不同的作家有不同的表现。本论文试图通过对张爱玲小 说语言艺术的概述，展现其小说语言的旧传统与新面貌，揭示其小说语言的独特 成就：与同时代的中国现代作家相比，张爱玲的小说语言表现出出众的融合性， 对新与旧、雅与俗的融合恰到好处；张爱玲的小说语言具有极强的控制力，不论 对景象的描述还是对情绪的抒发都“利落痛快”；另外，张爱玲的小说语言还充 满了诗性，在轻描淡写之中往往蕴含着浓郁的情绪与苍凉的启示，并且在无意中 发展了诗化小说这一文体形式，形成了独具特色的“张爱玲体”，这也正是本论 文的创新之处。 关键词：张爱玲 小说语言 旧传统 新面貌 贡献 I Abstract Zhang Ailings novel language has the bright characteristic, in wording and phrasing, and in the narration description, Zhang has inherited the Chinese traditional novel language characteristics successfully. Simultaneously, in the background of the Chinese traditional novel language. Zhang Ailing profited from Western artistic techniques of symbolism and modern stream of consciousness, unfolded the brand-new meteorology by the ancient writing, thus in new and old, the elegant vulgar fusion has made the unique contribution to Chinese modern novel languages development. The old Chinese traditions and Western novels of modern art are a common background to new writers. However, with this background can produce organic reactions, different writers have different performance. This thesis attempts to language arts novels of Zhang Ailings an overview of the novel language to demonstrate its old traditions and new face, and reveal its unique language novels achievements: Compares with the same times Chinese modern novel langua