勃拉姆斯《降e大调第二单簧管奏鸣曲》op.120音乐分析与版本比较-music analysis and version comparison of brahmss sonata for the second clarinet in e - flat major op 120.docxVIP

【中文摘要】勃拉姆斯是浪漫主义时期最重要的，影响力最广的作曲家之一，同时也是一位技术高超的作曲家。这首单簧管奏鸣曲是勃拉 姆斯最具代表性的作品之一，同时也在单簧管独奏曲目中占据着重要 地位的一部作品。笔者通过阅读大量资料，在分析前人既有成果的基础上，从勃拉姆 斯晚期室内乐创作特点、该奏鸣曲创作背景、曲式分析、演奏分析和 乐谱比较等方面进行了全面而又初步的研究，并结合单簧管乐器演奏 的特点，分析了该作品的美学内涵。本文主要由绪论、结语、后记和三个章节构成。绪言主要概括了这 首作品的总体风格。第一章第一节从音乐史的角度，总结了勃拉姆斯 晚期室内乐的整体风格和创作背景，第二节对这首奏鸣曲的创作背景 进行概述。第二章采用分析的手法，对这首奏鸣曲的曲式结构与演奏 特点进行了较为细致的总结。第三章对该作品的版本进行了比较。由 于该作品后又被勃拉姆斯改编成中提琴与钢琴的版本，对于这两个版 本之间的不同之处本文在第三章的第一节进行了比较和说明。第三章 的第二节针对各个不同出版社出版的单簧管演奏乐谱进行了比较。【关键词】 勃拉姆斯 单簧管奏鸣曲 分析 版本比较【Abstract】 Brahms the Romantic period is the most important andinfluential composers of the most extensive one, but also a skilled composer. This is the first Brahms clarinet sonata is one of the most representative works, while the clarinet solo repertoire also occupies an important position in a work.Through reading a lot of information in the analysis on the basis of previous results both from the late Brahms chamber music creation features, the Sonata creative background, form analysis, performance analysis and comparison of aspects of the music but the preliminary round , and combined with the characteristics of the clarinet musical instruments, analysis of the aesthetic of the work.In this paper, by the introduction, conclusion, epilogue, and three chapters. Introduction This is the first major work outlines the overall style. The first section of chapter from the perspective of music history, summed up the late chamber music of Brahmss overall style and creative background, section II, the creation of this sonata an overview of the background. Chapter by analysis approach, this sonatas musical structure and performance characteristics of a more detailed summary. Chapter III version of the work were compared. Since then the work was adapted into a Brahms viola and piano version, for which the differences between the two versions at the first section of Chapter III of this paper are compared and description. Section II of Chapter III of the various publishing houses for clarinet music are co