比较与解构——动画设计中红色情感的文化背景研究-comparison and deconstruction - research on the cultural background of red emotion in animation design.docxVIP

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比较与解构——动画设计中红色情感的文化背景研究-comparison and deconstruction - research on the cultural background of red emotion in animation design.docx

比较与解构——动画设计中红色情感的文化背景研究-comparison and deconstruction - research on the cultural background of red emotion in animation design

摘要色彩的感情是人们主观感受富于色彩的生命意义,在色彩学的概念里是一 种隐喻,视觉接收到的信息和对环境色彩的体验被人们自然而然的不自觉融进 自己的经验里,而产生的一种主观的色彩感情。在视觉艺术中,情感特征是色 彩领域中重点研究对象之一。红色是视觉艺术表达中最常用的色彩之一,它的 视觉刺激可以引发一系列相对应的典型意义的情感体验。人们对红色的体验和 感受,会随着时间的推移不断地积累和发展,逐渐形成自己的审美情趣和审美 意向,渗透诸多对红色感受和解读的主客观因素,这也正是红色的色彩语言在 动画艺术中的魅力所在。所以充分认识、理解和运用红色的这种情感文化,对 于艺术研究与动画创作是十分重要的。本文从不同历史阶段、不同地域、不同 方向对红色的文化背景进行探究,对红色的形式语言、色彩感情进行对比解构。 从而引发出一些对当代动画里有关红色使用的艺术个案或艺术现象的思考,它 有助于设计者熟悉和运用红色的情感来进行动画的设计,为动画设计开拓广阔 的空间;有助于观者系统、完整地理解动画作品中的红色情感,更深层次的理 解设计者的意图和思想,与设计者产生共鸣。关键词:比较;解构;动画设计;红色情感;文化背景IIABSTRACTEmotions conveyed by colors are coloration’s spirits assigned by human beings’ subjective feelings and consciousness, and therefore they are metaphors according to the concepts of chromatics, the science of color. It is a spontaneous process that the visual information and sensations regarding environment’s coloration perceived by people are incorporated into their personal experiences; consequently the generation of a sort of subjective emotion is achieved. In the field of visual arts, traits of emotion are regarded as the one of the most significant objectives of studies. Red, as one of commonly-used colors, has the capability of stimulating a series of corresponding experiences of emotions with archetypal meanings. People’s experience and feelings towards red will accumulate and develop as the time goes by, gradually forming their own aesthetic interest and intention as well as adding many subjective or objective feelings and interpretations for red, which is actually the shining point of red in the color language of animation art. As a result, in terms of art study and animation competition, it is of vital significance to have a full knowledge, comprehension and application of this emotional culture in red. This thesis explores the cultural background of red from different historical periods, regions and directions. Thus, it inspires some thinking related to some art cases or art phenomena in contemporary animation and can help designers become familiar with and

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