悲剧人生的审美超越——论王国维美学思想的精神内核-aesthetic transcendence of tragic life - on the spiritual core of wang guoweis aesthetic thoughts.docxVIP

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悲剧人生的审美超越——论王国维美学思想的精神内核-aesthetic transcendence of tragic life - on the spiritual core of wang guoweis aesthetic thoughts.docx

悲剧人生的审美超越——论王国维美学思想的精神内核-aesthetic transcendence of tragic life - on the spiritual core of wang guoweis aesthetic thoughts

巾文瓣要王国镶强20谴鳃中溺美学史上豹蟪彼,己为论者所公议。遗憾豹是,照有的研究对于这位美学先驱的溪照,基本上不脱文慈学的阐释框架,更多的还燎一种麓镶学藩舔静“考古发摇”,津漳琛道于“瑟巅”、“天矛”、“蠢雅”、“凌莽”等等渚鲡就爨韵一些概念滞藏畴,辩英美学憋懑深处涌动酾生命底蕴嚣|j往往缺乏爨嬖翡注撬黟菜耱体鼯入微豹把键。本文认蕊,农壬阂维稳美学瑟考牵凝聚罄稳蹿生命意义静徐鬣美切、辩蕊实入生静反憨帮寻求趱越静努力,并基正是鬻绕这一壤瓣曩嚣貔运愁秘求孵定全部意义上擒藏了其美学器懋瓣灵魂掰程,恣就爨凝络箕孛静“悲耧入囊戆事羡越越”这一耩释内菝。文章裁藏蘼舞舆体论述,浚瑟试图握示其一度被遮薮骢对鼍:搏兔一门入文学秘鹣荚学来澈更戈璧蒺鹑徐镶爱在:一季孛举妨称之荛“窜荚精季睾”煞褥爨溪鬃;著阑释其在我嵇鲞下砉处豹遮令按本理性爨焱膨胀的融戗对予感燃生愈群敏豹雇发性意义。文章努嚣令熬分,零l富农蕙癸霞颁邑肖舔变鹜爨豹基磷之上,交代了霹僚茨缘越;第一章从分析费年正照维的鞲糖潺球入手,掇讨其形成独特荑学是格豹个体因素;篾:章纂孛涎述其“悲戢入生懿搴茭超越”遮一攮搏表援,辫在恕激骞研究比较的慕础上凸现其糖摊价傻;第三章以审美现代性为蜊释的理论平台避一步展野分析,揭示荚荚学愿憋豹现代性内涵,迸蔗掇讨了荚学亵建现钱社会皴嚣以艺术为依托、以审荧糟神的张扬为指引给人们以永远的糟神的扁蒙。关键词:悲剧人生审美超黻点国维精神内核2AbstractItiSgenerallyacknowledgedbyscholarsthatWangGuoweiiSanimportantpersoninthehistoryofthe21stcenturyChineseaesthetics.However,itiSapitythatstudiesofthisaestheticforerunneruptonowaremostly“archaeologicalexcavation”intheaspectofknowledgeandhasnotgonebeyondtheframeworkofstudyofartand1iterature,thatis.scholarsaremoreconcernedwithsuchtermsas“tragedy”“genius”“gracefulandclassical”and“realm”。etc.thanpayattentiontothedeep—sitedelementsof1ifesurgingdeepinhisaestheticideasandeventoapprehenditsubtly.ThiSthesiSbelievesthatwangguowei’Saestheticideasembodyhiseffortsofconcerninghimselfwiththevalueofthemeaningof1ifeandreflectingonreal1ifeandhowtotranscendit.Inafullextent,Histhinkingandseekingforanswerrevolvingaroundalltheseconstitutetheessenceofhisaestheticalideas。insidewhichthespiritualcore“aesthetictranscenceoftragiclife”isrooted.ThethesiSexpoundsOnthiSandendeavoredtorevealanonce-overshadowedvalue.avaluableelementthatcanbecalled“aestheticspirit’’whichismoreimportantforsuchahumanitydisciplineasaesthetics,andexplainitsenlighteningsignificanceforemancipationofperceptual1ifeinourmodernagecharacterizedbyexpansionoftechnologicalration.ThethesiScomprises4parts.TheprefaceexplainstheoriginofthisthesiSafterabriefreviewoftherelevantstudiessofar.ThefirstpartbeginswithanalysisofWangguowei’SspiritualpursueinhisyoungageandexploretheindividualfactorsthatgiverisetohiSuniqueaestheticalfeatures.T

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