“没骨”在现代工笔画中的创作表现美术学专业论文.docxVIP

I I 摘 要 “没骨”作为一种绘画语言形式，亦或是一种技法样式在中国绘画史中不断 生发、衍变和传承，不仅为古典绘画史带来一次墨彩大变革，在现代工笔画中的 表现也尤其突出，对现代工笔画的革新产生了巨大的影响，现代工笔画创作者在 继承前人和师辈有关“没骨”法的技巧和崇尚写意精神的审美意趣的同时，推陈 出新、中西融合，紧随时代脚步，注入现代意识，将传统“没骨”技法运用到当 代工笔画创作中，开创了新的现代没骨画形式和语言体系，形成了现代工笔画独 特的艺术面貌。 本论文以《“没骨”在现代工笔画中的创作表现》为题，分三个章节进行 论述:  第一章为绪论部分，通过对文献和材料的梳理，对“没骨”的研究现状进 行总结，了解“没骨”的产生和发展以及“没骨”技法在古代绘画中的表现形式， 在古代绘画中的表现主要以“积色体”没骨和“敷色体”没骨两种绘画语言进行 论述。 第二章是本论文的主要部分，也是论文的研究重点，从“工笔人物”、“青 绿山水”、“工笔花鸟”三个方向论述“没骨”在现代工笔画中的表现及创新，即 没骨画的现状，通过对当代工笔创作者的“没骨”作品进行分析，了解当代“没 骨”技法的表现形式和重要意义，得出当代大众崇尚“写”与“逸”的审美特点。 论文的最后一章主要讲“没骨”技法在当代创作中的实践与意义，论文结 合刚刚结束的全国美展中的有关“没骨”技法的运用以及笔者的创作实践解释当 下主要的几种“没骨”技法。技法形式的总结和理论信息的探究，对笔者“没骨” 的研究和实践有重要的指导性意义。 关键词： “没骨”技法；现代工笔画；表现；革新 II II Abstract moguas a form of painting language, or a skill style in Chinese painting history has hair, evolution and inheritance, not only brings a great change to the classical ink and color painting history in modern painting performance is particularly prominent, has produced a great influence on modern painting innovation in modern painting, creator of predecessors and teachers boneless technique and advocating the spirit of freehand aesthetic charm at the same time, innovation, integration of Chinese and western, follow the footsteps of the times into the modern consciousness, the traditional boneless techniques applied in the creation of contemporary claborate style painting, creating a new modern Mogu painting form and the language system, the formation of modern fine brushwork painting unique artistic features. In this paper the theme of creation of Mogu painting and I, the full text is divided into three chapters: The first chapter is the introduction part, based on the literature and material combing, research status of mogu is summarized, understand the generation and development of form and techniques in ancient painting, in the ancient painting mainly product and color coloring. Mogu painting language of two. The second chapter is the main part of this thesis, and also a research focus in t