《呼吸秋千》的饥饿叙事研究比较文学与世界文学专业论文.docxVIP

I I 摘 要 本文试图用叙事学的相关理论为切入点，分析《呼吸秋千》的叙事艺术， 在饥饿叙事视域下从三个方面去解读这部作品。 首先，从底本和述本的相关理论出发来探究作品的表层叙事形式，探讨在作 品《呼吸秋千》中，米勒是通过碎片化的叙述形式把饥饿这个底本顺利转化为《呼 吸秋千》这个述本，并通过与莫言的作品为代表，对多个以饥饿为底本的述本进 行对比，从而更好的演绎出不同述本之间的饥饿叙事。也为作品的解读提供了一 个全新的视角。 其次，以叙事学理论中叙事动力这一角度为切入点，继而过渡到作品的深层 叙事结构，从动力的源泉出发，探寻作品中故事的动力，以饥饿为线索，分析饥 饿如何作为叙事动力的源泉、动力的传递以及动力的减弱，分析饥饿这根线如何 贯穿故事的始终。 最后，从可能世界的理论出发，追寻米勒在《呼吸秋千》这部作品中，给我 们营造出来的一个处处都充溢着饥饿的世界，这个饥饿的世界是虚构的，是可能 世界中一个世界，但因为其特殊的历史背景，笔者能够从中收集到属于真实世界 的碎片，从而试图逐渐拼凑出属于那个时期真实的世界。 关键词：《呼吸秋千》；饥饿 ；饥饿叙事； 赫塔·米勒 II II Abstract This paper attempts to use the narrative theory as the breakthrough point, analysis of the narrative art in Atemschaukel, in hunger narration perspective from three aspects to analyze this novel. First of all, from the original and the related theory of the surface narrative form to explore the work of Atemschaukel in the works, Miller is the fragmentation of the narrative form to hunger the had successfully transformed into Atemschaukel, and with the works of Mo Yan as the representative of a plurality of. Hunger is already the comparison, so as to better interpretation of the narrative is different between the hunger. It provides a new perspective for the interpretation of the works. Secondly, in the perspective of narrative theory in narrative motive as the breakthrough point, and then transition to the deep narrative structure, starting from the source of power, the power to explore the works in the story, the hunger for clues, analysis how hunger as a driving force, the narrative power transmission and power weakened, the analysis has always been to this line runs through the story of hunger. Finally, from the point of view of the theory of possible worlds, in pursuit of Miller in the Atemschaukel in this work, a everywhere give us create are filled with hungry world hunger, the world is fictional, possible world is a world, but because of the special historical background, the author can belon