《耳谈》中民间故事的研究中国古代文学专业论文.docxVIP

ErTan in folk tales about research Abstract The folk literature is all literary sources, without the folk literature, we cannot recognize a genuine Ming china. A folk tale is one of the main components of folk literature, is one of the most popular art form. The Ming Dynasty folk stories cover a wide range, a longing for freedom of marriage, sing the praises of female wizards, has criticized the times, exposing the official filthy, has exposed the false and harm, there are a number of anecdotes ... ... Little can be said, no social events, escaped people eyes and mouth. Although these stories, not accurately documented facts, but the small but complete reflection of folk life. Especially to express peoples dislikes and the passions. The Ming Dynasty is a folk story epitomized the period, during this period, not only the story of quantity, and quality is high, many of the traditional story in this period, get the stereotypes. Folk tales are a large and colorful art world, where there is a group activity, there is a story generation and spread. It is the people lives in intimate partner, is the most common, the most exuberant vitality of a spoken narrative literature, it is also the people to understand the social status of a window. Wang Tongguis ErTan in the Ming Dynasty folk tales about occupies an important position, the story notes novel, complex system, the content of intensive, some people, with notes, have mythical, there are ghosts. In art, and strive to innovation. Something new and colorful, bright and fast word read anyway, anger, worry about reading is free. The story has the advantages of compact structure, language compendium, which has general folk tales of fresh and natural, but also has its own unique. This paper will take Ming Dynasty Hubei Huanggang Wang Tonggui notes, Sun Shunlin the ErTan school note on the folk stories as the basis, the study of these folk story, art, literature and so on, using a hierarchical approach, comprehensive, systemat